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One example of an OSP that did receive a direct financial benefit from infringing activity was Napster. In A&M Records, Inc. v. Napster, Inc. , [ 10 ] the court held that copyrighted material on Napster's system created a "draw" for customers which resulted in a direct financial benefit because Napster's future revenue was directly dependent on ...
The entertainment company Viacom sued YouTube, the video-sharing site owned by Google, alleging that YouTube had engaged in "brazen" and "massive" copyright infringement by allowing users to upload and view hundreds of thousands of videos owned by Viacom without permission. [2] Google was brought into the litigation as YouTube's corporate owner.
Advances (upfront money that is paid directly to a recording artist) are normally always owed back to the label. Once (and if) the advance has been paid back from record sales, the artist then begins to see royalty payments for additional sales. Advancing an act money is a risk the label endures as it does not know how well the act's album will ...
IPI (Interested party information) is a unique identifying number assigned by the CISAC database to each Interested Party in collective rights management. It is used worldwide by more than 120 countries and three million right holders. [1] Two types of IPI-numbers exist, an IPI Name Number and IPI Base Number. [2]
Lenz v. Universal Music Corp. attracted a fair amount of media attention, as a dispute in which there was no clear winner, [12] [13] while a powerful entertainment company may have made absurd claims about the damage caused to its copyrights by a YouTube video in which only a short segment of its song was heard in poor audio quality.
The party making the payment is commonly called the payer, while the payee is the party receiving the payment. Whilst payments are often made voluntarily, some payments are compulsory, such as payment of a fine. Payments can be effected in a number of ways, for example: the use of money, whether through cash, cheque, mobile payment or bank ...
Producers scaled back their creations, often augmenting one choice groove with a bevy of instrumental embellishments." [ 4 ] As a result, interpolation (replaying the requested sample using new instrumentalists, using the newly recorded version and simply paying the songwriters—and not the artist or the label—for use of the composition ...
Music has to be heard before people go out and buy it. —The Bolton News [27] In March 2009, the on line video-sharing site YouTube removed all premium music videos for UK users, even those supplied by record labels, due to a failure to find "mutually acceptable terms for a new licence" with PRS for Music.