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Lorenzetti's The Effects of Bad Government fresco has not been written on so extensively as The Effects of Good Government has been, partly due to the worse condition of this fresco. The wall on which the fresco of The Effects of Bad Government is depicted used to be an exterior wall, so has suffered much moisture damage in the past.
The Federal Art Project (1935–1943) was a New Deal program to fund the visual arts in the United States. Under national director Holger Cahill, it was one of five Federal Project Number One projects sponsored by the Works Progress Administration (WPA), and the largest of the New Deal art projects.
The Government Art Collection (GAC) is the collection of artworks owned by the UK government and administered by the Department for Culture, Media and Sport (DCMS). The GAC's artworks are used to decorate major government buildings in the UK and around the world, and to promote British art, culture and history.
Mural by Diego Rivera showing the pre-Columbian Aztec city of Tenochtitlán.In the Palacio Nacional in Mexico City.. Mexican muralism refers to the art project initially funded by the Mexican government in the immediate wake of the Mexican Revolution (1910–1920) to depict visions of Mexico's past, present, and future, transforming the walls of many public buildings into didactic scenes ...
The White House's Art collection was established by an Act of Congress in 1961 and grew extensively during the Kennedy Administration. [5] It now includes more than 65,000 objects if individual items are catalogued. [6]
A strong relationship between the arts and politics, particularly between various kinds of art and power, occurs across historical epochs and cultures.As they respond to contemporaneous events and politics, the arts take on political as well as social dimensions, becoming themselves a focus of controversy and even a force of political as well as social change.
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This program allotted one half of one percent of total construction costs of all government buildings to the purchase of contemporary American art for them. [16] A-i-A helped solidify the policy that public art in the United States should be truly owned by the public.