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A simple Italian Virgin and Child by Carlo Crivelli, c. 1470. Virgin and Child or Madonna and Child or Mary and Child usually refers to artistic depictions of Mary and Child Jesus together, as part of both Catholic and Orthodox church traditions, and very notably in the Marian art in the Catholic Church. The various different names are ...
Apart from the icon of the Virgin Mary and the child Jesus, and a painting of an old man, said to be Abraham, the walls inside had been covered with pictures of pagan deities. Placing his hand protectively over the icon, the Prophet told Uthman to see that all the other paintings, except that of Abraham, were effaced." [34]
The central and centered motif is the young Virgin Mary seated with Baby Jesus on her lap. [b] Depicted in sumptuous clothes and jewellery, with her left hand Mary holds a carnation (red, suggesting blood and the Passion). The faces are put into light while all other objects are darker, e.g. the flower is covered by a shadow.
From about the third or fourth century onwards, the child Jesus is frequently shown in paintings, and sculpture. Commonly these are nativity scenes showing the birth of Jesus, with his mother Mary, and her husband Joseph. Depictions as a baby with the Virgin Mary, known as Madonna and Child, are iconographical types in Eastern and Western ...
The Madonna of humility by Domenico di Bartolo 1433 has been described as one of the most innovative devotional images from the early Renaissance [35]. Catholic Marian art has expressed a wide range of theological topics that relate to Mary, often in ways that are far from obvious, and whose meaning can only be recovered by detailed scholarly analysis.
In Luke's Gospel, Joseph and Mary travelled to Bethlehem, the family of Joseph's ancestors, to be listed in a tax census; the Journey to Bethlehem is a very rare subject in the West, but shown in some large Byzantine cycles. [2] While there, Mary gave birth to the infant, in a stable, because there was no room available in the inns.
Version of the Theotokos of Smolensk by Dionisius (c. 1500) 12th-century plaque found in Torcello Cathedral; a full-length figure like the original in Constantinople. A Hodegetria, [a] or Virgin Hodegetria, is an iconographic depiction of the Theotokos (Virgin Mary) holding the Child Jesus at her side while pointing to him as the source of salvation for humankind.
It is the pose in which Mary appears to be "kissing" Jesus, accepting affection from her son. [citation needed] Madonna della Loggia is one of many examples of Glykophilousa in Renaissance images of the Madonna and Child. Madonna and Child, Botticelli (1470)