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I Want You (Spanish: Tengo ganas de ti) is a 2012 Spanish drama film directed by Fernando González Molina, starring Mario Casas, the sequel to Tres metros sobre el cielo (Three Metres Above Heaven).
Segundo Matias, Jr. March 2, 1994 ( 1994-03-02 ) Paul persuades his beautiful wife Elvira to accept an outreach teaching mission in the province so they can get away from Paul's mother, who treats Paul like a child and meddles in their married life.
"Por Mujeres Como Tú" ("Because of Women Like You") is a song by Mexican singer Pepe Aguilar from his 1998 studio album of the same name. [1] The song won Billboard Latin Music Award for Hot Latin Song of the Year and was nominated in the category of Regional Mexican Hot Latin Track of the Year. [2]
Rufino "Raffy" Dompao Tima Jr. (Tagalog: [ˈɾafi ˈtimɐ]; born January 7, 1975) [1] is a Filipino journalist, producer and presenter. [2] He is currently working in GMA Network and its affiliate, GMA News TV (now GTV ), he spanned over 23 years since the working of his current network.
A segment that parodies the Raffy Tulfo in Action program. In this segment, Michael V. portrays Raf-Raf (an obvious spoof of broadcaster and action man Raffy Tulfo) and Denise Barbacena as Cherry Ramon (a spoof of Sharee Roman, Tulfo's co-host). This segment solves complaints made by people, often in a hilarious manner.
"Ice Cream" is the first and lead single by American experimental rock band, Battles featuring Chilean-German musical artist, Matias Aguayo, off their second studio album, Gloss Drop via Warp Records.
Galimatias began working with Alina Baraz after they were introduced to each other through SoundCloud in 2013, and their songs immediately received blog attention. Their collaborations were collected on an eight-song EP titled Urban Flora, which was released digitally by Ultra Records in 2015, with a vinyl release by Mom + Pop following in 2016.
Traditional blues verses in folk-music tradition have also been called floating lyrics or maverick stanzas.Floating lyrics have been described as “lines that have circulated so long in folk communities that tradition-steeped singers call them instantly to mind and rearrange them constantly, and often unconsciously, to suit their personal and community aesthetics”.