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Since they are seldom played in concert with other instruments and carillonneurs need standardized sheet music, carillons often transpose to a variety of keys—whichever is advantageous for the particular installation; many transposing carillons weigh little, have many bells, or were constructed on limited funds. [2]
Spring clamp capo A guitar capo with a lever-operated over-centre locking action clamp Demonstrating the peg removal feature on an Adagio guitar capo. A capo (/ ˈ k eɪ p oʊ ˌ k æ-ˌ k ɑː-/ KAY-poh, KAH-; short for capodastro, capo tasto or capotasto [ˌkapoˈtasto], Italian for "head of fretboard") [a] is a device a musician uses on the neck of a stringed (typically fretted) instrument ...
For chords, a letter above or below the tablature staff denotes the root note of the chord, chord notation is also usually relative to a capo, so chords played with a capo are transposed. Chords may also be notated with chord diagrams. Examples of guitar tablature notation: The chords E, F, and G as an ASCII tab:
A transposing instrument is a musical instrument for which music notation is not written at concert pitch (concert pitch is the pitch on a non-transposing instrument such as the piano). For example, playing a written middle C on a transposing instrument produces a pitch other than middle C; that sounding pitch identifies the interval of ...
Transposition example from Koch [1] Play top ⓘ Play bottom ⓘ. In this chromatic transposition, the melody on the first line is in the key of D, while the melody on the second line is identical except that it is a major third lower, in the key of B ♭.
A partial capo may appear to have a similar effect to alternate tunings, but there are differences. A common example is a capo which covers the top five strings of a guitar, leaving the bass E string not capoed. When played at the second fret, this appears to create a drop D tuning (where the bass E string is tuned to a D) raised one full tone ...
The contra-alto clarinet [2] is largely a development of the 2nd half of the 20th century, although there were some precursors in the 19th century: . In 1829, Johann Heinrich Gottlieb Streitwolf [], an instrument maker in Göttingen, introduced an instrument tuned in F in the shape and fingering of a basset horn, which could be called a contrabasset horn because it played an octave lower than it.
Modes of limited transposition are musical modes or scales that fulfill specific criteria relating to their symmetry and the repetition of their interval groups. These scales may be transposed to all twelve notes of the chromatic scale , but at least two of these transpositions must result in the same pitch classes , thus their transpositions ...