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Light stage is a device used for capturing the shape, texture, and reflectance of a target, usually for virtual cinematography. Light stages are usually a combination of multiple cameras and structured light techniques, and additionally, polarizers are included to find the subsurface scattering component of the target's skin. Omnidirectional camera
The addition of a fourth light, the background light, makes for a four-point lighting setup. The background light is placed behind the subject(s), on a high grid, or low to the ground. Unlike the other three lights, which illuminate foreground elements like actors and props, it illuminates background elements, such as walls or outdoor scenery.
A diagram of a standard three-point lighting set-up, consisting of a key light, back light, and fill light Kuleshov effect The mental phenomenon by which viewers of a film interpret the juxtaposition of and interaction between sequential shots in a way that differs from their interpretation of either of the individual shots alone. This effect ...
This style of cinematography aims to create a realistic portrayal of the world, often using natural lighting, handheld cameras, and a documentary-like approach to filming. Classic Hollywood is a style of cinematography characterized by its use of highly polished, studio-produced films with glamorous sets, bright lighting, and romanticized ...
Movement can be used extensively by film makers to make meaning. It is how a scene is put together to produce an image. A famous example of this, which uses "dance" extensively to communicate meaning and emotion, is the film, West Side Story. Provided in this alphabetised list of film techniques used in motion picture filmmaking. There are a ...
In television, film, stage, or photographic lighting, a fill light (often simply fill) may be used to reduce the contrast of a scene to match the dynamic range of the recording media and record the same amount of detail typically seen by eye in average lighting and considered normal. From that baseline of normality, using more or less fill will ...
In some cases, ambient light may be used as a fill, in which case additional lighting provides the stronger light source, for example in bounce flash photography. The relative intensity of ambient light and fill light is known as the lighting ratio , an important factor in calculating contrast in the finished image.
Covering lighting, lenses, and film emulsions, it is considered “an authoritative technical reference manual for cinematographers.” [1] The manual also defines the cinematography profession. [ 2 ]