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The Seven Sayings of Christ on the Cross. Glasgow: Pickering & Inglis Publishers. Knecht, Friedrich Justus (1910). "The Seven Last Words on the Cross and the Death of our Lord" . A Practical Commentary on Holy Scripture. B. Herder. Long, Simon Peter (1966). The Wounded Word: A Brief Meditation on the Seven Sayings of Christ on the Cross. Baker ...
Both Eastern and Western cultural traditions ascribe special significance to words uttered at or near death, [4] but the form and content of reported last words may depend on cultural context. There is a tradition in Hindu and Buddhist cultures of an expectation of a meaningful farewell statement; Zen monks by long custom are expected to ...
"The Last Word" is a dystopian short story by the author Graham Greene, written in 1988 (see 1988 in literature). It first appeared in The Independent but can also be found in collections of his short fiction, notably the Penguin edition of The Last Word and Other Stories , for which it is the lead story.
"My last words to you, my son and successor, are: Never trust the Russians." [3] — Abdur Rahman Khan, Emir of Afghanistan (1 October 1901), to Habibullah Khan "Come right out this way." [7] [8] — William Thomas Maxwell, American tracker and deputized sheriff (8 October 1901), telling the Smith Gang to surrender prior to the Battleground ...
This Last Supper is by Pascal Dagnan-Bouveret (1896). The description of the last week of the life of Jesus (often called the Passion week) occupies about one third of the narrative in the canonical gospels. [54] The narrative for that week starts by a description of the final entry into Jerusalem, and ends with his crucifixion. [53] [125]
Seven Last Words from the Cross. Add languages. Add links. Article; Talk; English. Read; Edit; View history; Tools. ... This page was last edited on 7 April 2007, at ...
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The seven meditations on the Last Words are excerpted from all four gospels. The "Earthquake" movement derives from Matthew 27:51ff. Much of the work is consolatory, but the "Earthquake" brings a contrasting element of supernatural intervention—the orchestra is asked to play presto e con tutta la forza—and closes with the only fortississimo (triple forte) in the piece.