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The Chinh phụ ngâm ("Lament of the soldier's wife", 征婦吟) is a poem in classical Chinese written by the Vietnamese author Đặng Trần Côn (1710–1745). [1] It is also called the Chinh phụ ngâm khúc (征婦吟曲), with the additional -khúc ("tune", 曲) emphasizing that it can be performed as a musical piece not just read as a plain "lament" (ngâm, 吟).
Đặng Trần Côn (chữ Hán: 鄧陳琨; born Trần Côn; c. 1705–1745) was the author of the Chinh phụ ngâm a masterpiece of chữ Hán literature of Vietnam. [1] Đặng Trần Côn was born in Nhân Mục village (or Nhân Mọc), Thanh Trì district, (now Nhân Chính ward, Thanh Xuân district), Hanoi, around 1705–1710. [2]
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Vietnamese poetry originated in the form of folk poetry and proverbs. Vietnamese poetic structures include Lục bát, Song thất lục bát, and various styles shared with Classical Chinese poetry forms, such as are found in Tang poetry; examples include verse forms with "seven syllables each line for eight lines," "seven syllables each line for four lines" (a type of quatrain), and "five ...
The Quốc âm thi tập (國音詩集 "National pronunciation poetry collection") [a] is a collection of Vietnamese poetry written in the vernacular chữ Nôm script attributed to Nguyễn Trãi (chữ Hán: 阮廌).
Phan Huy Ích was in 1926 claimed as the true translator into Vietnamese of Đặng Trần Côn's Chinh phụ ngâm. The translation from chữ Hán into vernacular chữ Nôm had traditionally been ascribed to poet Đoàn Thị Điểm. [5] [6] [7] [8]
Niyabinghi chanting [1] typically includes recitation of the Psalms, but may also include variations of well-known Christian hymns and adopted by Rastafarians.The rhythms of these chants were eventually an influence of popular ska, rocksteady and reggae music.
Chữ Nôm (𡨸喃, IPA: [t͡ɕɨ˦ˀ˥ nom˧˧]) [5] is a logographic writing system formerly used to write the Vietnamese language.It uses Chinese characters to represent Sino-Vietnamese vocabulary and some native Vietnamese words, with other words represented by new characters created using a variety of methods, including phono-semantic compounds. [6]