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Modern sources broadly agree that if made from a single piece of fabric, the toga of a high status Roman in the late Republic would have required a piece approximately 12 ft (3.7 m) in length; in the Imperial era, around 18 ft (5.5 m), a third more than its predecessor, and in the late Imperial era around 8 ft (2.4 m) wide and up to 18–20 ft ...
Togatus Barberini is a Roman marble sculpture from around the first-century AD [1] that depicts a full-body figure, referred to as a togatus, holding the heads of deceased ancestors in either hand. [2] It is housed in the Centrale Montemartini in Rome, Italy (formerly in the Capitoline Museums). [1]
The face mask hangs from the head piece by a central hinge, and would be fastened with straps connecting a loop under each ear with corresponding holes in the neck guard. [1] [2] [3] The entire helmet, the iron core of which is between 1 and 6 millimetres thick, [4] weighs 2.217 kg (4.89 lb), of which the face mask comprises 982 g (2.16 lb). [2 ...
The toga was considered Rome's "national costume," privileged to Roman citizens but for day-to-day activities most Romans preferred more casual, practical and comfortable clothing; the tunic, in various forms, was the basic garment for all classes, both sexes and most occupations. It was usually made of linen, and was augmented as necessary ...
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Date/Time Thumbnail Dimensions User Comment; current: 14:38, 23 August 2008: 535 × 556 (654 KB): LadyofHats {{Information |Description=svg from a roman statue (Image:August Labicana Massimo Inv56230.jpg together with a diagram on how to wear a toga |Source=Own work by LadyofHats |Date=23 aogust 2008 |Author=[[User:LadyofHats|LadyofHats]
Roman portraiture is characterised by unusual realism and the desire to convey images of nature in the high quality style often seen in ancient Roman art. Some busts even seem to show clinical signs. [1] Several images and statues made in marble and bronze have survived in small numbers.
During demolition of the superimposed late antique fortifications by Pope Gregory XVI in 1838, a full-length relief portrait was discovered of a man and woman in toga and palla (taken to the Palazzo dei Conservatori); along with an inscription honouring one Atistia, a good wife whose remains were placed in a breadbasket; and an urn taking the ...