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The Veiled Vestal was brought to Chatsworth House, which remains the seat of the Cavendish family, in 1999. [1] In May 2019 the sculpture was removed from public display and transported to Sotheby's, New York, where it formed part of the 12-week Treasures from Chatsworth exhibition, designed by David Korins.
The museum's collection of over 1.5 million items [9] – which is particularly strong in objects dating from the 19th and early 20th centuries [3] – include paintings, drawings, prints, including over 3000 by Currier and Ives, [3] and photographs featuring New York City and its residents, as well as costumes, decorative objects and furniture ...
The city's parks have been described as the "greatest outdoor public art museum" in the United States. [1] More than 300 sculptures can be found on the streets and parks of the New York metropolitan area, many of which were created by notable sculptors such as Augustus Saint-Gaudens, Daniel Chester French, and John Quincy Adams Ward.
Although subject to re-assessment, [142] a 1970 agreement between the museum and the city of New York requires New York state visitors to pay at least a nominal amount; a penny is acceptable. [206] The Met's finance committee is led by Hamilton E. James of The Blackstone Group, who is also one of the board members at the Met. [207]
The Vestal Virgin Tuccia (Italian: La Vestale Tuccia) or Veiled Woman (Italian: La Velata) is a marble sculpture created in 1743 by Antonio Corradini, a Venetian Rococo sculptor known for his illusory depictions of female allegorical figures covered with veils that reveal the fine details of the forms beneath.
New York Jazz Museum in Manhattan; New York City Police Museum; New York Tattoo Museum in Staten Island; Proteus Gowanus, Brooklyn, closed in 2015; Ripley's Believe It or Not!, midtown Manhattan, 2007-2021; Rock and Roll Hall of Fame Annex, opened in SoHo in 2008, closed in 2010; Sony Wonder Technology Lab, closed in 2016