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The dramatic date of the Epodes is around the Battle of Actium, here imagined by Justus van Egmont.. Horace began writing his Epodes after the Battle of Philippi in 42 BC. He had fought as a military tribune in the losing army of Caesar's assassins and his fatherly estate was confiscated in the aftermath of the battle.
The English poet Alfred Tennyson declared that the Odes provided ... The metre is also used in Epode 12, and it is the only metre Horace uses in both the Odes and Epodes.
Quintus Horatius Flaccus (Classical Latin: [ˈkʷiːntʊs (h)ɔˈraːtiʊs ˈfɫakːʊs]; 8 December 65 BC – 27 November 8 BC), [1] commonly known in the English-speaking world as Horace (/ ˈ h ɒr ɪ s /), was the leading Roman lyric poet during the time of Augustus (also known as Octavian).
As he was imitating Archilochus in form, he believed himself justified in repeating the sarcastic violence of his fierce model. These particular poems of Horace, which are short lyrical satires, have appropriated almost exclusively the name of epodes, although they bear little enough resemblance to the epode of early Greek literature. [2]
Odes 1.1, also known by its incipit, Maecenas atavis edite regibus, is the first of the Odes of Horace. [1] This ode forms the prologue to the three books of lyrics published by Horace in 23 BC and is a dedication to the poet's friend and patron, Maecenas. [2]
They compare Odes 3.26.4ff: barbiton hic paries habebit / laevum marinae qui Veneris latus / custodit ' this wall, which guards the left side of Venus of the Sea, will have my lyre ', where in a similar way Horace's intention to give up love affairs is symbolised by his dedicating his lyre in the temple of Venus. They argue that Neptune has ...
Horace urges his friend to enjoy each passing hour, and suggests that a visit to his Sabine Farm may divert him. I.5 – An Invitation – (Addressed to Manlius Torquatus, to whom Horace also wrote Ode IV.7) Horace invites his friend to dinner – Tomorrow is a holiday and Torquatus may well forget his occupations for a time.
Horace approaches poetry from a practical standpoint—as a craft, or ars—rather than the theoretical approach of his predecessors, philosophers Aristotle and Plato. He also holds the poet in high regard, as opposed, for instance, to Plato, who distrusts mimesis and who has philosopher Socrates say in Book 10 of the Republic that he would ...