Search results
Results From The WOW.Com Content Network
"Melangkah Di Atas Awan" was written by Eddy D. Iskandar, with Dwiki Dharmawan participating in the production, composition and arrangement. Musically, it is primarily a pop song composed and recorded in the key of G major, with a time signature of 4 4 and a tempo of 85 beats per minute. [6]
The kepatihan cipher system records the two fixed elements of Javanese gamelan music: the melodic framework (or balungan (literally, skeleton)) represented by numbers, and the set of punctuating gongs that define the form, represented by circles and other symbols.
In the example on the top right, we see a series of quartal chords in parallel motion, in which the intervallic relationship between each consecutive chord member, in this case a minor second, is consistent. Each note in the chord falls by one semitone in each step, from F, B ♭, and E ♭ in the first chord to D, G, and C in the last.
Indonesian slang vernacular (Indonesian: bahasa gaul, Betawi: basa gaul), or Jakarta colloquial speech (Indonesian: bahasa informal, bahasa sehari-hari) is a term that subsumes various urban vernacular and non-standard styles of expression used throughout Indonesia that are not necessarily mutually intelligible.
Example 1: Below, a common voicing used by jazz pianists is given for the chord C 7 ♯ 9 (C major chord with a minor 7th, and extended with an augmented 9th). In the lower stave the notes E ♮ and B ♭ are given. These form a tritone which defines the dominant sound, and are the major 3rd and minor 7th of the C 7 ♯ 9 chord.
Denias, Senandung Di Atas Awan (Denias, Singing on the Cloud) is a 2006 Indonesian film directed by John de Rantau. This film was starring Albert Fakdawer, Ari Sihasale, Nia Zulkarnaen and Marcella Zalianty. The film received the 2007 Asia Pacific Screen Award for Best Youth Feature Film. [1]
A diatonic passing chord may be inserted into a pre-existing progression that moves by a major or minor third in order to create more movement." [4] "'Inbetween chords' that help you get from one chord to another are called passing chords." [5] For example, in the simple chord progression in the key of C Major, which goes from Imaj7/iii7/ii7/V7 ...
It was the first seventh chord to appear regularly in classical music. The V 7 chord is found almost as often as the V, the dominant triad, [5] and typically functions to drive the piece strongly toward a resolution to the tonic of the key. A dominant seventh chord can be represented by the integer notation {0, 4, 7, 10} relative to the dominant.