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Pain and Glory (Spanish: Dolor y gloria) is a 2019 Spanish drama film written and directed by Pedro Almodóvar. [4] [5] It stars Antonio Banderas, Asier Etxeandia, Leonardo Sbaraglia, Nora Navas, Julieta Serrano, and Penélope Cruz. [6] [7] The film was released in Spain on 22 March 2019 to positive reviews. [8]
El derecho de nacer ("The Right to Be Born") is a 1952 Mexican film directed by Zacarías Gómez Urquiza and starring Gloria Marín, Jorge Mistral and Martha Roth. [ 1 ] based on a Cuban radionovela (radioplay) [ 2 ] of the same name by Félix B. Caignet . [ 3 ]
The first law recognising cohabiting same-sex couples was passed in 1994 for the purpose of providing limited legal rights with regard to renting. [18] During the 1990s and early 2000s, several city councils and autonomous communities opened registries for de facto unions (Spanish: unión de hecho, pareja de hecho or pareja estable) [a] that allow benefits for unmarried couples of any sex ...
La gloria y el infierno (English title: Glory and Hell) is a Mexican telenovela produced by Gonzalo Martínez Ortega and Juan Osorio for Televisa in 1986. [1] It is based on the novel Duel in the Sun by American writer Niven Busch. It starred Ofelia Medina, Héctor Bonilla, Fernando Balzaretti and Saby Kamalich.
Mario Conde. Los días de gloria (transl. 'Mario Conde. The Glory Days') is a two-part Spanish television miniseries. It is an adaptation of the Mario Conde's memoir Los días de gloria, portraying the 1993 intervention of Banesto. Directed by Salvador Calvo and starring Daniel Grao in the leading role, it aired in 2013 on Telecinco.
No, or the Vain Glory of Command (Portuguese: Non, ou a Vã Glória de Mandar) is a 1990 Portuguese film directed by Manoel de Oliveira.Starring Luís Miguel Cintra and Miguel Guilherme, the film portrays a series of defeats in Portuguese military history—such as the assassination of Viriathus, the Battle of Toro, the failed attempt at Iberian Union under Afonso of Portugal and Isabella of ...
At the end of World War II, Fr. Dante Del Fiorentino purchased an old copy of the manuscript of the Messa from the Vandini family in Lucca, imagining it was the original score. However, the autograph, in the possession of the Puccini family, was given by his daughter-in-law to Ricordi, Puccini's publishing firm.