Search results
Results From The WOW.Com Content Network
The speaker of the poem questions the sun's motives and yearns for the sun to go away so that he and his lover can stay in bed. Donne is tapping into human emotion in personifying the sun, and he is exhibiting how beings behave when they are in love with one another. The speaker in the poem believes that, for him and his lover, time is the enemy.
A writer learning the craft of poetry might use the tools of poetry analysis to expand and strengthen their own mastery. [4] A reader might use the tools and techniques of poetry analysis in order to discern all that the work has to offer, and thereby gain a fuller, more rewarding appreciation of the poem. [5]
These were edited from the poem by the Republican, but Emily regarded them as an integral part of her verse. [6] The poem begins with a paradox (a liquor never brewed) and finishes with a striking image (a tippler supported by the sun rather than the traditional lamppost), both common devices in Dickinson's poetry. [6]
For premium support please call: 800-290-4726 more ways to reach us
Sungazing is the unsafe practice of looking directly at the Sun.It is sometimes done as part of a spiritual or religious practice, most often near dawn or dusk. [1] The human eye is very sensitive, and exposure to direct sunlight can lead to solar retinopathy, pterygium, [2] cataracts, [3] and potentially blindness.
The poem is told from the point of view of an old man who, at some point in his past, had a fantastical experience in which a silver trout he had caught and laid on the floor turned into a "glimmering girl" who called him by his name, then vanished; he became infatuated with her, and remains devoted to finding her again.
Extensive notes on the poem appear in volume 2, pp. 752–754. The notes claim that one of the three The Testimony of the Suns and Other Poems versions was used as the source for the text, but that is not accurate. The text presented in Complete Poetry comes from Sterling's Selected Poems.
A Poem a Day (1996), Steerforth Press; The poem features, in spoken form, on the album Anthology of 20th Century English Poetry (Part I), originally issued in 1960 on the Folkways Records label and has been used in British television advertisements, including those for Center Parcs and Orange Mobile. [citation needed]