Search results
Results From The WOW.Com Content Network
The Shahr Ashob (Persian: شهر آشوب; Shahr-i Ashob (lit. 'The city's misfortune' [1]), sometimes spelled Shahar-i Ashūb or Shahrashub, is a genre that becomes prominent in Urdu poetry in South Asia with its roots in classical Persian and Urdu poetic lamentations.
Urdu in its less formalised register is known as rekhta (ریختہ, rek̤h̤tah, 'rough mixture', Urdu pronunciation:); the more formal register is sometimes referred to as زبانِ اُردُوئے معلّٰى, zabān-i Urdū-yi muʿallá, 'language of the exalted camp' (Urdu pronunciation: [zəbaːn eː ʊrdu eː moəllaː]) or لشکری ...
Valiant scholars have dedicated themselves to the subject of Christopher Columbus's language. [nb 25] They have conducted in-depth research both on the ship's log and on other writings of his that have come down to the modern day. They have analyzed the words, the terms, and the vocabulary, as well as rather frequent variations often bizarre in ...
The City of God public domain audiobook at LibriVox (Dods translation) The City of God – Marcus Dods translation, CCEL; Lewis E 197 Expositio in civitatem dei S. Augustini (Commentary on St. Augustine's City of God) at OPenn; Texts about the work. An introduction to The City of God by James J. O'Donnell
The Hindi–Urdu controversy arose in 19th-century colonial India out of the debate over whether Modern Standard Hindi or Standard Urdu should be chosen as a national language. Hindi and Urdu are mutually intelligible as spoken languages, to the extent that they are sometimes considered to be dialects or registers of a single spoken language ...
Roman Urdu also holds significance among the Christians of Pakistan and North India. Urdu was the dominant native language among Christians of Karachi and Lahore in present-day Pakistan and Madhya Pradesh, Uttar Pradesh Rajasthan in India, during the early part of the 19th and 20th century, and is still used by Christians in these places ...
The Union Station arch is a 35 ft (11 m) Beaux-Arts arch standing at McFerson Commons Park in Columbus, Ohio. The work was designed by renowned architect Daniel Burnham , as part of a grand entranceway to the city's Union Station .
It belongs to the Prem Marg genre of Sufi literature, where a love story forms a metaphor representing the quest for the union with God. Written in an early form of Dakhni, it is a mathnawi, a long narrative poem written in rhyming couplets. [2] The only surviving copy of the manuscript, containing 239 folios, is situated in the British Library.