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Francis Kurkdjian (born 14 May 1969) is a French perfumer and businessman of Armenian descent. He is best known for creating the men's fragrance Le Male for Jean Paul Gaultier in 1995, which has become one of the world's best-selling men’s fragrance.
This is a list of some of the most widely known commercially available perfumes from the 14th century onwards, sortable by year, name, company, perfumer, and the authority for its notability. This list is incomplete ; you can help by adding missing items .
Agarwood, aloeswood, eaglewood, gharuwood or the Wood of Gods, commonly referred to as oud or oudh (from Arabic: عود, romanized: ʿūd, pronounced), is a fragrant, dark and resinous wood used in incense, perfume, and small hand carvings.
Some 8,000 perfumes were profiled in the 2015 printed edition of Fragrances of the World, accompanied by brand name, date, fragrance family and gender.The online database, updated weekly, archives profiles of over 17,000 perfumes, listing brand name, corporate group, creative director, gender, perfumer, date, country of origin, bottle designer, fragrance family, an image, an olfactory pyramid ...
The Guide received a starred review in Publishers Weekly, which said, “The book brings [the authors'] exquisite connoisseurship to life in a contagious manner.Their passion for a few scents and their outrage at the others' failings make for entry after entry of hilarious, catty comments interspersed with occasional erudite, eloquent disquisitions."
This is a list of people notable for playing the oud This is a dynamic list and may never be able to satisfy particular standards for completeness. You can help by adding missing items with reliable sources .
Fragrance pyramid. Notes in perfumery are descriptors of scents that can be sensed upon the application of a perfume. Notes are separated into three classes: top/head notes, middle/heart notes, and base/soul notes; which denote groups of scents which can be sensed with respect to the time after the application of a perfume.
The doctrine of the affections, also known as the doctrine of affects, doctrine of the passions, theory of the affects, or by the German term Affektenlehre (after the German Affekt; plural Affekte) was a theory in the aesthetics of painting, music, and theatre, widely used in the Baroque era (1600–1750).