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Soft Machine are an English rock band from Canterbury, Kent. The band were formed in 1966 by Mike Ratledge, Robert Wyatt, Kevin Ayers, Daevid Allen and Larry Nowlin. Soft Machine were central in the Canterbury scene; they became one of the first British psychedelic acts, and later moved into progressive and jazz rock.
Triple album covering the band's whole history to that point, featuring select tracks from all the albums up to Softs (the most recent at the time), the band's first single "Love Makes Sweet Music" and its B-side "Feelin' Reelin' Squeelin'" (both later included on 2009 remaster of The Soft Machine) and several unreleased recordings (all later ...
Founded in 1966 by keyboardist Mike Ratledge, drummer/vocalist Robert Wyatt, bassist/vocalist Kevin Ayers and guitarists Daevid Allen and Larry Nowlin, Soft Machine were one of the central bands in the Canterbury scene and had been staples of the London underground, playing the UFO Club with Pink Floyd.
Third is a live and studio album by the English rock band Soft Machine, released as their third overall in June 1970 by CBS Records.It is a double album with a single composition on each of the four sides, and was the first of two albums recorded with a four-piece line-up of keyboardist Mike Ratledge, drummer and vocalist Robert Wyatt, saxophonist Elton Dean, and bass guitarist Hugh Hopper.
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Soft Machine - Softs (1976) album review by Dave Lynch, credits & releases at AllMusic; Soft Machine - Softs (1976) album releases & credits at Discogs; Soft Machine - Softs (1976) album credits & user reviews at ProgArchives.com; Soft Machine - Softs (1976) album to be listened on Spotify; Soft Machine - Softs (1976) album to be listened on ...
Warning: This article contains spoilers for The Challenge: Battle of the Eras finale.. For the first time in all 40 seasons of The Challenge, the show ended in a tie.And the two women who tied for ...
Volume Two is the second album by The Soft Machine (although it was their debut in home country of the UK), released in 1969. The album combined humour, dada, psychedelia and jazz. In 2000 it was voted number 715 in Colin Larkin's All Time Top 1000 Albums. [4]