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"The Canonization" is a poem by English metaphysical poet John Donne. First published in 1633, the poem is viewed as exemplifying Donne's wit and irony. [1] It is addressed to one friend from another, but concerns itself with the complexities of romantic love: the speaker presents love as so all-consuming that lovers forgo other pursuits to ...
The sonnet was a popular form of poetry during the Romantic period: William Wordsworth wrote 523, John Keats 67, Samuel Taylor Coleridge 48, and Percy Bysshe Shelley 18. [1] But in the opinion of Lord Byron sonnets were “the most puling, petrifying, stupidly platonic compositions”, [ 2 ] at least as a vehicle for love poetry, and he wrote ...
British composer Roger Quilter set the poem to music in 1905 in the composition Love's Philosophy, Op. 3, No 1. In 2003, David Gompper set the poem to music in a score for baritone and piano. [3] Choral composer David N. Childs set the poem to music scored for a four-part women's choir and piano. [4]
John Donne's poetry represented a shift from classical forms to more personal poetry. Donne is noted for his poetic metre, which was structured with changing and jagged rhythms that closely resemble casual speech (it was for this that the more classical-minded Ben Jonson commented that "Donne, for not keeping of accent, deserved hanging"). [15]
Keats declined Shelley's request, traveling instead with his companion Joseph Severn. Later proven to be suffering from tuberculosis, Keats died on February 23, 1821. Mourning the death of his friend, Shelley's grief is captured in the first stanza of the poem where the death of Adonaïs, who represents Keats, is announced. Shelley's grief is ...
1821 title page, Pisa, Italy. Adonais: An Elegy on the Death of John Keats, Author of Endymion, Hyperion, etc. (/ ˌ æ d oʊ ˈ n eɪ. ɪ s /) is a pastoral elegy written by Percy Bysshe Shelley for John Keats in 1821, and widely regarded as one of Shelley's best and best-known works. [1]
Specimen of an Induction to a Poem (1816) Calidore (1816) Hadst thou Liv’d in Days of Old (1816) I Stood Tiptoe Upon a Little Hill (1816) I am as Brisk (1816) On Oxford (1817) O Grant that Like to Peter I (1817) Think not of it, Sweet One (1817) Unfelt, Unheard, Unseen (1817) In Drear-Nighted December (1817) Modern Love (1818) The Castle ...
The poem came to be forever associated with the "Bright Star" Fanny Brawne – with whom Keats became infatuated. Gittings says it was given as "a declaration of his love." [5] It was officially published in 1838 in The Plymouth and Devonport Weekly Journal, 17 years after Keats's death.