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The trader is blamed for the tragedy, as he refused to provide proper transportation and forced the laborers to climb onto the overloaded lorry. Sivanaindhan, weakened and hungry, sneaks into his house to eat but is caught by his mother, who tearfully blames herself for his hunger, and his sufferings and laments over the loss of her daughter.
Bhagyalakshmi dubbed her voice for Ganga, while Durga gave voice to the character's alter-ego, Nagavalli. Nagavalli's voice is heard only in a minor part of the film compared to Ganga's. Durga was not credited in the film or its publicity material and until 2016, the popular belief was that Bhagyalakshmi solely dubbed both voices. [25] [26]
Tamil version had T. S. Balaiah and A. Karunanidhi enacting the role of Prahlad's mentors and Rajendra Nath and Dhumal portrayed the same roles in its Hindi version 1974 Vayanadan Thampan: A. Vincent: Malayalam Pyasa Shaitan (Hindi) Hindi version directed by Joginder; additional footage reshot 1977 Aadu Puli Attam: S. P. Muthuraman: Tamil
All in all, a definite theatre watch to feel the full effect of what the film's team has put together." [ 84 ] Avinash Ravichandran of The Indian Express gave 3/5 stars and wrote "Some of his [Ranjith] audacious attempts at storytelling in Thangalaan get overburdened by the novelty factor.
A tragedy is a genre of drama based on human suffering and, mainly, the terrible or sorrowful events that befall a main character or cast of characters. [1] Traditionally, the intention of tragedy is to invoke an accompanying catharsis, or a "pain [that] awakens pleasure,” for the audience.
Bhopal Express is a 1999 Indian Hindi film directed by Mahesh Mathai. The film stars Kay Kay Menon, Naseeruddin Shah, Nethra Raghuraman, Zeenat Aman and Vijay Raaz in his film debut. The story was written by Prasoon Pandey and Piyush Pandey. [1] [2] The music was composed by the Shankar–Ehsaan–Loy trio.
The story has terrific potential. (It's the tragedy with so many of our films: great story, lousy screenplay.)" [18] The film garnered a poor commercial response at the Chennai box office, owing to the unexpected success of Aramm, which was released on the same day.
Government apathy to the misery of the populace, especially the impoverished, looms large in the background without being explicitly stated. But neither is the main focus of the movie. Bheed focuses on the social rift that emerges even when a tragedy is playing out, namely racism stemming from the upper caste, upper-class avarice, and religion ...