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Soul Cal: Funky Disco & Modern Soul, 1971–82 is a compilation album featuring various disco, Soul, and funk artists. Released on May 1, 2012, on Now-Again Records, a subsidiary of Stones Throw Records, the collection contains 15 songs and an 80-page book which summarizes the artists' backstories and recording processes.
Emperors of Soul is a 1994 box set compilation for The Temptations, released by Motown Records.The five-disc collection covers the Temptations' entire four-decade history, from the first recording of The Distants in 1959 ("Come On") to four new recordings by the then-current Temptations lineup of Ali-Ollie Woodson, Theo Peoples, Ron Tyson, and stalwart members Otis Williams and Melvin Franklin.
The Northern soul movement between Wigan Casino's fans and Blackpool Mecca's wider approach accepted the more contemporary sounds of Philly soul, early disco and funk. Ian Levine broke from the Northern soul mould by playing a new release by the Carstairs ("It Really Hurts Me Girl") in the early 1970s:
Sampling is one of the biggest aspects of hip hop and rap, and these types of records provide breaks for artists to use in their songs. [15] Examples of rare groove samples, such as Eazy-E's "Eazy Duz It" [16] (which samples the Detroit Emeralds, Bootsy Collins, Funkadelic, Isley Brothers, Sly and the Family Stone, the Temptations and even Richard Pryor), can be found in modern hip hop ...
The term post-disco is a referral to the early to late 1980s era movement of disco music into more stripped-down electronic funk influenced sounds; post-disco was also predecessor to house music. This chronological list contains examples of artists described as post-disco .
Otis Blue: Otis Redding Sings Soul (Volt/Stax, 1965) The Soul Album (Volt/Stax, 1966) Complete & Unbelievable: The Otis Redding Dictionary of Soul (Volt/Stax, 1966) King & Queen (Stax/Atlantic, 1967) - with Carla Thomas; The Dock of the Bay (Volt/Stax, 1968) With Wilson Pickett. The Exciting Wilson Pickett (Atlantic, 1966) With Donald Byrd and ...
Aurra was an American 1980s soul group, which, at the time of its biggest success on Salsoul Records, featured Curt Jones (guitar/vocals) and Starleana Young (vocals) and included Steve Washington (bass/guitar/drums), Philip Field (keyboards/synthesizers/vocals) and Tom Lockett (saxophone/percussion).
Progressive soul (often shortened to prog-soul; also called black prog, black rock, and progressive R&B) [1] is a type of African-American music that uses a progressive approach, particularly in the context of the soul and funk genres. It developed in the late 1960s and early 1970s through the recordings of innovative black musicians who pushed ...