Ad
related to: stylistic instruments in spanish language list with examples video
Search results
Results From The WOW.Com Content Network
13 languages. العربية ... Pages in category "Spanish musical instruments" The following 19 pages are in this category, out of 19 total. This list may not ...
Rumba instrumentation has varied historically depending on the style and the availability of the instruments. The core instruments of any rumba ensemble are the claves, two hard wooden sticks that are struck against each other, and the conga drums: quinto (lead drum, highest-pitched), tres dos (middle-pitched), and tumba or salidor (lowest-pitched).
As Spanish is commonly spoken in Spain and most of Latin America, music from both regions have been able to crossover with each other. [2] According to the Sociedad General de Autores y Editores (SGAE), Spain is the largest Latino music market in the world. [3] As a result, the Latin music industry encompasses Spanish-language music from Spain.
At present, the traditional-style son is seldom heard but has been assimilated into other genres and is present in them. Thus, other types of popular Cuban music and other Latin styles of music continue using the essential style of the son. [37] Another important contribution of the son was the introduction of the drum to mainstream music.
Decorated instruments are rare in Stradivari' output, and so are sets of instruments. A few of his clients are known to have acquired sets, for example, Ferdinando de' Medici, Grand Prince of Tuscany (son of Cosimo III de' Medici, Grand Duke of Tuscany). In the case of the Palatinos, Stradivari intended to present them to the king of Spain but ...
The tiple (Spanish pronunciation:, literally treble or soprano), is a plucked typically 10-string or 12-string chordophone of the guitar family, actually several instruments that share the name. A tiple player is called a tiplista. The first mention of the tiple comes from musicologist Pablo Minguet e Irol in 1752.
The earliest Spanish operas appeared in the mid-17th century, with libretti by such famous writers as Calderón de la Barca and Lope de Vega to music by such composers as Juan Hidalgo de Polanco. These early operas, however, failed to catch the imagination of the Spanish public.
Hispavox, a Spanish record label, released Antología del Cante Flamenco in 1956; the recording's collection of most all of the greatest flamenco singers was very popular. In 1956, the first national cante jondo competition was held in Cordoba , followed by a Chair of Flamencology being established at Jerez in 1958.