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The Fuzz Face is an effects pedal for electric guitar, used also by some electric bass players. It is designed to produce a distorted sound referred to as "fuzz", originally achieved through accident such as broken electrical components or damaged speakers.
A fuzz-wah pedal is an effects unit containing both a fuzzbox and wah-wah pedal in series, allowing the user to distort ("wah") and use "fuzz" sounds as aesthetic effects on electric guitar or bass. They were developed to combine the sounds of psychedelic bands of the late 1960s–'70s.
This pedal was introduced as a compact rendition of the Big Muff, with its controls similar to the 1969 Muff Fuzz containing only a tone switch and a level knob. Muff Fuzz (Op-Amp) 1979 - 1982 Discontinued Based on the 1969 Muff Fuzz, this is an Op-Amp version, and was powered by a 1458N IC chip. Red Army Overdrive 1990 - 1992 Discontinued
A fuzz pedal, or fuzzbox, is a type of overdrive effects unit that clips a signal until it is nearly a squarewave, resulting in a heavily distorted or fuzzy sound. [59] [62] Fuzzboxes may contain frequency multiplier circuitry to achieve a harsh timbre by adding complex harmonics.
Fuzz is a particular form of extreme distortion originally created by guitarists using faulty equipment (such as a misaligned valve (tube); see below), which has been emulated since the 1960s by a number of "fuzzbox" effects pedals. Distortion, overdrive, and fuzz can be produced by effects pedals, rackmounts, pre-amplifiers, power amplifiers ...
The Fuzz Factory, designed overnight in 1994, was the second pedal from Z.Vex-founder Zachary Vex. The design began with a collection of unique germanium transistors Vex purchased from a surplus store with the intent of creating a fuzz pedal similar to a Fuzz Face. [19]