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Bergstutz or Stollwurm. In the folklore of the Alpine region of south-central Europe, the Tatzelwurm (German: [ˈtatsl̩ˌvʊʁm]), Stollenwurm, or Stollwurm is a lizard-like creature, often described as having the face of a cat, with a serpent-like body which may be slender or stubby, with four short legs or two forelegs and no hindlegs.
The knucker or the Tatzelwurm is a wingless biped, and often identified as a lindworm. In legends, lindworms are often very large and eat cattle and human corpses, sometimes invading churchyards and eating the dead from cemeteries. [19] The maiden amidst the Lindorm's shed skins.
Sculptures of dogs by country (6 C) D. Dog monuments (1 C, 56 P) Pages in category "Sculptures of dogs" The following 16 pages are in this category, out of 16 total.
The book contains contributions by European and American ethnologists, art historians and collectors on aspects of traditional sculptural art from Tanganyika. More than 500 black-and-white photographs of sculptures and masks from public and private collections as well as maps, illustrations and a bibliography complement the individual chapters ...
Titled Austin, the 2,715-square-foot stone building—which features colored glass windows, a totemic wood sculpture and black-and-white marble panels—is the only building Kelly designed and is his most monumental work. [17] Austin, which Kelly designed thirty years prior, opened in February 2018. [18]
The museum — which is based in Osun State, Southwest Nigeria and decorated with 3D art from recycled materials — trains young creatives and inspires them to contribute to the local art community.
Two Piece Sculpture No.10: Interlocking [469] 1968 Bronze L 91 LH 581 Image online [470] Two Piece Carving: Interlocking [471] 1968 White marble L 71.1 LH 583 Image online [472] Interlocking Two Piece Sculpture [473] 1970 White marble L 315 Roche, Basel LH 584 Image online [474] Maquette for Three Piece No.3: Vertebrae: 1968 Bronze L 19 LH 578
According to the Regional Arts & Culture Council, which administers the sculpture, Wegman said he created the sculpture "for dogs, not people", and prefers not to think of the bowl as public art. Wegman donated some of his earnings from the installation to the Oregon Humane Society, Foster Pets and the Delta Society. [3]