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The novel is written in the form of interviews and reports of conversations or research and other portions are in the form of letters (epistolary form) or diary entries. The novel focuses on the triangle of an English woman, an Indian man, and a British police superintendent, setting up the events of subsequent novels in the series.
A Marathi sentence generally has three parts: subject (कर्ता kartā), object (कर्म karma), and verb (क्रियापद kriyāpad). In a Marathi sentence, the subject comes first, then the object, and finally the verb. However, in some sentences there is no object. See also: Marathi language
E.g., in vocative case, abe (अबे) is said in Varhadi instead of ' are ' (अरे) of standard Marathi. Another good example is the sentence construction of past continuous tense e.g. in Varhadi, it is said ' Tho bahut abhyās kare' (थो बहूत अभ्यास करे) or 'To lay abhyās kare' (तो लय ...
Marathi (/ m ə ˈ r ɑː t i /; [15] मराठी, Marāṭhī, pronounced [məˈɾaːʈʰiː] ⓘ) is a classical Indo-Aryan language predominantly spoken by Marathi people in the Indian state of Maharashtra and is also spoken in other states like in Goa, Karnataka, Tamil Nadu, Telangana, Gujarat, Kerala, Madhya Pradesh, Chhattisgarh, and the territory of Dadra and Nagar Haveli and Daman ...
The Indian numbering system is used in Indian English and the Indian subcontinent to express large numbers. Commonly used quantities include lakh (one hundred thousand) and crore (ten million) – written as 1,00,000 and 1,00,00,000 respectively in some locales. [1]
The Jewel in the Crown is a 1984 British television serial about the final days of the British Raj in India during and after World War II, based on British author Paul Scott's Raj Quartet novels. Granada Television produced the series for the ITV network .
Romanised Hindi is also used by some newspapers such as The Times of India. [38] [39] The first novel written in this format, All We Need Is Love, was published in 2015. [40] Romanised Hindi has been supported by advertisers in part because it allows a message to be conveyed in a neutral script to both Hindi and Urdu speakers. [41]
Doha is a lyrical verse-format which was extensively used by Indian poets and bards of North India probably since the beginning of the 6th century AD. Dohas of Kabir, Tulsidas, Raskhan, Rahim and the dohas of Nanak called Sakhis are famous. Satasai of Hindi poet, Bihārī, contains many dohas. Dohas are written even now.