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"Blessings" is a song by American contemporary Christian music singer-songwriter Laura Story from her 2011 album Blessings. [2] It was released on February 21, 2011, as the lead single. [3] The song became Story's first Hot Christian Songs No. 1, staying there for four weeks. [4] It lasted 34 weeks on the overall chart. [5]
John Dalton was educated at Cheshunt Secondary Modern School at the same time as Harry Webb (who later found fame as Cliff Richard).Dalton's desire was to be a full-time musician, and in 1959 he joined Danny King and the Bluejacks as bass guitarist (although he claimed in a 2009 interview, [2] that he could not play a note when he joined).
Karen J. Dalton (born Jean Karen Cariker; July 19, 1937 – March 19, 1993) was an American country blues singer, guitarist, and banjo player. She was associated with the early 1960s Greenwich Village folk music scene, particularly with Fred Neil, the Holy Modal Rounders, and Bob Dylan. [1]
The song was written by Chris Brown, Cody Carnes, Kari Jobe and Steven Furtick. [4] Chris Brown handled the production of the single. "The Blessing" was a commercial success upon its release, having debuted at No. 3 on the US Hot Christian Songs chart. [5] It peaked at No. 2 on Hot Christian Songs chart, and No. 15 on the Bubbling Under Hot 100.
[3] Jen Rose of Jesus Freak Hideout wrote that the album was "a collection of praise anthems and stories of God's faithfulness, and a worship album with a songwriter's soul", and that Story's "work focuses on lyrics from the heart, songs that reflect on hope, injustice, redemption, and love." [4]
"O What a Savior" is a Southern gospel song written by the Free Will Baptist musician Marvin P. Dalton in 1948. The first line is "Once I was straying in sin's dark valley" and the chorus starts "O what a Savior".
James Roy Horner (August 14, 1953 – June 22, 2015) was an American film composer and conductor. He worked on more than 160 film and television productions between 1978 and 2015.
The poet John Dalton adapted Milton's masque of 1634 so as to fit 18th century theatrical conventions and published it in 1738 as Comus, a Mask (Now adapted to the Stage). In particular he considerably extended its musical content by the addition of lyrics from elsewhere in Milton's work, and also some of Dalton's own composition, as well as ...