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La escopeta nacional (in English, The National Shotgun) is a 1978 Spanish comedy film directed by Luis García Berlanga.The first installment in a critically and commercially successful trilogy, the picture is an indictment of the legacy of Francisco Franco and the business classes upon whom he depended for support.
His early murals were commissions for schools and small buildings. His first big project was the murals for Parque de la Industria, in 1961. The site was a space for conventions, concerts, and other events. In 1966, Recinos got a commission for the new national mortgage loans building (Credito Hipotecario Nacional).
Gitana y el charro, La (1964) Guatemala: On the Edge of Discovery (2018) H. Hermano Pedro, El (1967) I ... Penthouse de la muerte (1979) Permiso a la tierra (2005)
The period in the history of Guatemala between the coups against Jorge Ubico in 1944 and Jacobo Árbenz in 1954 is known locally as the Revolution (Spanish: La Revolución).It has also been called the Ten Years of Spring, highlighting the peak years of representative democracy in Guatemala from 1944 until the end of the civil war in 1996.
Centenario Estado Federal de Guatemala (in Spanish). Guatemala: El Sol. — (1994) [1923]. La trilogía del trópico. Centenario Flavio Herrera 1895-1995 (in Spanish). Vol. 1. Guatemala: Universidad de San Carlos de Guatemala. — (1946). Palo Verde: Hai-kais (in Spanish). Guatemala: Artigas. — (1967) [1921]. La lente opaca. Biblioteca ...
The Palacio Nacional de la Cultura (National Palace of Culture), also known colloquially as "Palacio Verde", [1] is identified as Guatemala City's symbol in its architectural context. It was the most important building in Guatemala and was the headquarters of the president of Guatemala.
Óscar Humberto Mejía Víctores (December 9, 1930 – February 1, 2016) [1] [2] was a Guatemalan military officer and politician who served as the Head of Government from August 1983 to January 1986.
Though Rabinal Achí has been around since the 16th century, it was not formally recorded until much later. The original narrative is by an anonymous author, [7] but Charles-Étienne Brasseur de Bourbourg, a French clergyman, translated the original text into French from an Achi narration that the cofrade Bartolo Sis gave him in 1856, though he would not publish this text for ten more years.