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In many parts of West Africa, there is an old chieftaincy tradition, and the Akan people have developed their own hierarchy, which exists alongside the democratic structure of the country. The Akan word for the ruler or one of his various courtiers is "Nana" (English pronunciation / ˈ n æ n ə /). In colonial times, Europeans translated it as ...
The Akan waged war on neighboring states in their geographic area to capture people and sell them as slaves to Europeans (Portuguese) who subsequently sold the enslaved people along with guns to the Akan in exchange for Akan gold. Akan gold was also used to purchase enslaved people from further up north via the Trans-Saharan route.
The list of Akan people includes notable individuals of Akan meta-ethnicity and ancestry; the Akan people who are also referred to as (Akan: Akanfo) are a meta-ethnicity and Potou–Tano Kwa ethno-linguistic group that are indigenously located on the Ashantiland peninsula near the equator precisely at the "centre of the Earth".
In the Akan tradition and Akan chieftaincy, the child of a king or chief does not ascend the throne when his or her father dies due to their Matrilineal inheritance and succession. [5] [6] [7] However the children are given the title Oheneba which means the ''chief's child'' or the ''king's child''.
The Bono, also called the Brong and the Abron, are an Akan people of West Africa. Bonos are normally tagged Akan piesie or Akandifo of which Akan is a derivative name. Bono is the genesis and cradle of Akans. [1] Bono is one of the largest ethnic group of Akan and are matrilineal people. [2] [3] Bono people speak the Bono Twi.
The Fante people are the third-largest ethnic group of the Akan people, with the Ashanti and Akuapem being the first and second largest groups, respectively. Fantes over the course of the years developed a unique blend of culinary dishes that are now eaten all over Ghana including corned beef stew, Ghana Jollof, Ghana meat pie, Ice Kenkey ...
The music of Ghana often reflects a Caribbean influence, yet it still retains a flavour on its own. While pan-Ghanaian music had been developed for some time, the middle of the 20th century saw the development of distinctly Ghanaian pop music. High-life incorporated elements of swing, jazz, rock, ska and soukous.
The stool is used as a symbol of chieftaincy (particularly male) in special and private occasions, and is seen as a symbol of royalty, custom and tradition. Queen mothers may be seen in public sitting on the traditional stool as a seat of authority, communicating messages about the nature of leadership. [ 3 ]