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into a bank of snow Over the river, and through the wood, to see little John and Ann; We will kiss them all, and play snow-ball and stay as long as we can. Over the river, and through the wood, trot fast, my dapple-gray! Spring over the ground like a hunting-hound! For 'tis Thanksgiving Day. Over the river, and through the wood, Old Jowler ...
In an amphibrachic pair, each word is an amphibrach and has the second syllable stressed and the first and third syllables unstressed. attainder, remainder; autumnal, columnal; concoction, decoction (In GA, these rhyme with auction; there is also the YouTube slang word obnoxion, meaning something that is obnoxious.) distinguish, extinguish
A rhyming dictionary is a specialized dictionary designed for use in writing poetry and lyrics. In a rhyming dictionary, words are categorized into equivalence classes that consist of words that rhyme with one another. They also typically support several different kinds of rhymes and possibly also alliteration as well.
A rhyme scheme is the pattern of rhymes at the end of each line of a poem or song. It is usually referred to by using letters to indicate which lines rhyme; lines designated with the same letter all rhyme with each other. An example of the ABAB rhyming scheme, from "To Anthea, who may Command him Anything", by Robert Herrick:
The rhyme was first printed in 1820 by James Hogg in Jacobite Reliques. Apple Pie ABC: United Kingdom 1871 [7] Edward Lear made fun of the original rhyme in his nonsense parody "A was once an apple pie". Akka bakka bonka rakka: Norway: 1901 [8] Nora Kobberstad's Norsk Lekebok (Book of Norwegian Games). [8] All The Pretty Little Horses
A rhyme is a repetition of similar sounds (usually the exact same phonemes) in the final stressed syllables and any following syllables of two or more words. Most often, this kind of rhyming (perfect rhyming) is consciously used for a musical or aesthetic effect in the final position of lines within poems or songs. [1]
The title and subject of the poem refer to the scene in the 1851 painting Washington Crossing the Delaware by Emanuel Gottlieb Leutze. The poem is noted for being an anagrammatic poem – in this case, a 14-line rhyming sonnet in which every line is an anagram of the title.
The composer John Ireland (1879–1962) set the words to an original melody in his song cycle Songs Sacred and Profane, written in 1929–31. [10] [11] There is also a vocal setting by the poet and composer Ivor Gurney, which was published in 1938. [12] Benjamin Britten published a setting of the poem in 1943, using the tune Hughes collected. [13]