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His father, Franz Bergmann (September 26, 1838 – 1894), [1] was a professional chaser from Gablonz who came to Vienna and founded a small bronze factory in 1860. Franz Xavier Bergmann inherited the company and opened a new foundry in 1900. Many of the bronzes from the 1900s were still based on designs from his father's workshop.
His bronze sculptures were generally fired and coated with chemical patinas in mid-brown colors but were sometimes cold painted or polychromed. [9] His used ivory, sparingly, and it was generally well carved. Zach's work was edited by several firms, including Argentor-Werke (Vienna), Broma Companie, S. Altmann and Company, and Franz Bergmann. [1]
Franz Iffland (1862–1935) was a German sculptor and painter who worked during the late 19th and early 20th century. He was born in 1862 in Berlin, Kingdom of Prussia.The majority of his sculptures were influenced by the Art Nouveau movement but late in his career, beginning in the mid-1920s, he produced a number of Art Deco sculptures.
– cold painted bronze Buddha statue by Franz Xavier Bergman of Vienna (signed Namgreb), c1900 £700 – collection of porcelain, vase, 1900 candlestick Art Nouveau Florianware by William Moorcroft (potter). £1,000 – bronze Vesta case modelled on dog kennel, with Essex crystal image (carved from rock crystal, 1882 by Thomas Johnson (painter ...
Johann Joachim Kändler; Wolf Kahlen; Leo Kahn; Johannes Kahrs (artist) Hanns-Christian Kaiser; Johanna Keimeyer; Hans Kemmer; George Kenner; Georg Friedrich Kersting
The Tower of Blue Horses was a large work, 200 by 130 centimetres (6 ft 7 in × 4 ft 3 in). [1] Most of the picture is occupied by a frontal view of four primarily blue horses, arranged in a tier to the right of centre, facing the viewer but with their heads turned to the left; the foremost horse seemed "only a little less than life size" to at least one writer. [2]
Franz Nagy had owned the land since 1925 that the Munich-Allach facility was built on. With his business partner, the porcelain artist Prof. Karl Diebitsch, [3] he began the production of porcelain art.
In 1868, he went into partnership with photographer Franz Bergman. The two men later had a falling out, after which Šechtl and his wife Antonia left Plzeň and he became an itinerant photographer. He tried his luck in Bucharest in 1871, and in Nepomuk and Prachatice. Several significant photographs remain from this period.