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  2. Leather crafting - Wikipedia

    en.wikipedia.org/wiki/Leather_crafting

    Leather painting differs from leather dyeing in that paint remains only on the surface while dyes are absorbed into the leather. Due to this difference, leather painting techniques are generally not used on items that can or must bend nor on items that receive friction, such as belts and wallets because under these conditions, the paint may crack or wear off.

  3. Leather carving - Wikipedia

    en.wikipedia.org/wiki/Leather_carving

    The only type of leather suitable for carving is vegetable tanned, full grain leather. [citation needed] This is because the vegetable tanning process allows the leather to absorb water, which is used to soften the leather before the carving process, and the grain of the leather is necessary to allow the leather to hold the shape after the carving process is complete.

  4. Hand-colouring of photographs - Wikipedia

    en.wikipedia.org/wiki/Hand-colouring_of_photographs

    Watercolour paint used in photographic hand-colouring consists of four ingredients: pigments (natural or synthetic), a binder (traditionally arabic gum), additives to improve plasticity (such as glycerine), and a solvent to dilute the paint (i.e. water) that evaporates when the paint dries. The paint is typically applied to prints using a soft ...

  5. Photographic studio - Wikipedia

    en.wikipedia.org/wiki/Photographic_studio

    The photography process was much shorter and simpler compared to painting, in which the subject and even the painter used to suffer. It became relatively easy and cheap to set up a photographic studio, so by the 1870s there were many thousands of portrait studios in Europe and America. [ 1 ]

  6. Photograph conservator - Wikipedia

    en.wikipedia.org/wiki/Photograph_conservator

    Anna and Germaine Sierens ca. 1924. Photo restoration by Michel Vuijlsteke. A photograph conservator is a professional who examines, documents, researches, and treats photographs, including documenting the structure and condition of art works through written and photographic records, monitoring conditions of works in storage and exhibition and transit environments. [1]

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