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In the oldest pieces, the figures were drawn freehand on the fabric and surrounded with Holbein stitch. The background, often cream linen, [2] was filled as well as possible. For more modern pieces the pattern was constructed carefully on a paper grid in much the same way as counted cross-stitch patterns are created.
Counted cross-stitch embroidery, Hungary, mid-20th century. Counted-thread embroidery is any embroidery in which the number of warp and weft yarns in a fabric are methodically counted for each stitch, resulting in uniform-length stitches and a precise, uniform embroidery pattern. [1]
Cross-stitch is a form of sewing and a popular form of counted-thread embroidery in which X-shaped stitches (called cross stitches) in a tiled, raster-like pattern are used to form a picture. The stitcher counts the threads on a piece of evenweave fabric (such as linen ) in each direction so that the stitches are of uniform size and appearance.
Canvas work in cross stitch became popular again in the mid-19th century with the Berlin wool work craze. Herringbone, fishbone, Van Dyke, and related crossed stitches are used in crewel embroidery, especially to add texture to stems, leaves, and similar objects. Basic cross stitch is used to fill backgrounds in Assisi work. [3]
Hailing from Japan, these digital pets were all the craze in the ’90s. By enabling users to care for a virtual pet, the pocket-sized devices mimicked all the responsibilities of real pet ...
Marilyn Leavitt-Imblum (August 1, 1946 – August 14, 2012) was an American cross-stitch embroidery designer known especially for her Victorian angel designs. [1] Her designs were published under the business name Told in a Garden, with product divisions of Told in a Garden, Lavender and Lace, and Butternut Road.