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In the 1990s the artist began to run his squeegee up and down the canvas in an ordered fashion to produce vertical columns that take on the look of a wall of planks. [46] Richter's abstract work and its illusion of space developed out of his incidental process: an accumulation of spontaneous, reactive gestures of adding, moving, and subtracting ...
Musée National d'Art Moderne, Paris 23.7 x 32.8 Oil paint on canvas board More images: 1901 to 1905 Binz auf Rügen (Twilight) Musée National d'Art Moderne, Paris 23.2 x 32.8 Oil paint on canvas board More images: 1902 Kochel, the Bridge: Stedelijk Museum Amsterdam More images: 1902 Spring, Vicinity of Augsburg: Musée National d'Art Moderne ...
Jake Berthot, "Lovella's Thing," 1969, acrylic on shaped canvas, 84 x 72 inches. Berthot began his career making abstract paintings in the minimalist tradition. He would apply a thick painterly surface to large shaped canvases [3] that were seen to employ the reductive means of minimalism, but expressing instead of restraining emotion. [7]
Robert Yasuda (born 1940) is an American abstract painter, most known for contemplative, atmospheric works that straddle painting, sculpture and architecture. [1] [2] [3] He first attracted wide attention in the 1970s for large wall works merging painting and installation art, mounted at MoMA PS1, the Corcoran Museum of Art, and Museum of Contemporary Art, Chicago.
Aacrylic and oilstick on canvas mounted on wood supports 60 1/2 x 60 1/2 in $4.2 million (2014) [84] Private collection 1982 Santo 3: Acrylic, oilstick, crayon, paper collage on canvas with wood supports 36 x 36 in $4.9 million (2019) [26] Private collection 1982 Self-Portrait: Acrylic, oil paintstick, and spray paint on canvas 76 x 94 in [85]
Piet Mondrian, Composition No. 10, 1939–1942, oil on canvas. Throughout 20th-century art historical discourse, critics and artists working within the reductive or pure strains of abstraction have often suggested that geometric abstraction represents the height of a non-objective art practice, which necessarily stresses or calls attention to the root plasticity and two-dimensionality of ...
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