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Holbeinesque jewellery includes pendants, brooches and earrings in the neo-Renaissance or Renaissance Revival style, and once again became fashionable in the 1860s. The designs differ from the older stylised and pious neo-Gothic jewellery, in that they are extravagantly opulent – this richness of form and colour which had appealed to the Tudor court was rediscovered by Victorian jewellers ...
It consisted of a Burmese sapphire and diamond pendant suspended on a baguette diamond tennis necklace (which also later suspended 'The Prince of Wales feathers diamond pendant'), matching earrings, matching ring, a two-row bracelet of brilliant-cut diamonds with a similar version of the sapphire pendant and a watch with the face set in the ...
Maharaja Yadavindra Singh of Patiala wearing the famous "Patiala Necklace" (1930s). The Patiala Necklace was a necklace designed and made by Cartier in 1928. [1] It was part of the largest ever single order to Cartier to date, made in 1925 by the Indian royal, the Maharaja of Patiala, for the Patiala Necklace and other jewelry worth ₹ 1,000 million (equivalent to ₹ 210 billion, US$2.5 ...
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Later Viking jewelry also starts to exhibit simplistic geometric patterns. [27] The most intricate Viking work recovered is a set of two bands from the 6th century in Alleberg, Sweden. [26] Barbarian jewelry was very similar to that of the Vikings, having many of the same themes. Geometric and abstract patterns were present in much of barbarian ...