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G minor is a minor scale based on G, ... G minor is the only minor key he used as a main key for his numbered symphonies (No. 25, and the famous No. 40).
Use of key signature usual or unusual 15 equal temperament: 15-tet scale on C. ... The A melodic minor scale, ascending and descending, on A.
the ascending melodic minor scale or jazz minor scale (also known as the Ionian ♭ 3 or Dorian ♯ 7): this form of the scale is also the 5th mode of the acoustic scale. the descending melodic minor scale: this form is identical to the natural minor scale . The ascending and descending forms of the A melodic minor scale are shown below:
Another convention of G minor symphonies observed in Mozart's No. 25 and No. 40 was the choice of the subdominant of the relative key (B ♭ major), E ♭ major, for the slow movement; other non-Mozart examples of this practice include J. C. Bach Op. 6, No. 6, from 1769, Haydn's No. 39 (1768/69) and Johann Baptist Wanhal's G minor symphony ...
Harry Partch considers minor as, "the immutable faculty of ratios, which in turn represent an immutable faculty of the human ear." [3] The minor key and scale are also considered less justifiable than the major, with Paul Hindemith calling it a "clouding" of major, and Moritz Hauptmann calling it a "falsehood of the major". [3]
Going counter-clockwise from C results in lowering the fourth scale degree with each successive key (starting on F requires a B ♭ to form a major scale). Each major key has a relative minor key that shares the same key signature. The relative minor is always a minor third lower than its relative major.
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In music theory, the scale degree is the position of a particular note on a scale [1] relative to the tonic—the first and main note of the scale from which each octave is assumed to begin. Degrees are useful for indicating the size of intervals and chords and whether an interval is major or minor .