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First made famous by Bill Monroe, Loar's signed mandolins today can cost as much as $200,000. The L-5 guitar owned by Maybelle Carter, which was made after he left Gibson, sold for $575,000. [9] Among the changes that Loar introduced was the f-hole instead of a round or oval sound-hole, another violin-family feature imported to the mandolin. [8]
Old traditional mandolins with round backs, for example, are difficult to play in a standing position and are almost never used. Some older mandolins have relatively few frets, limiting the mandolin player's use of high notes. Most bluegrass mandolin players choose one of two styles. Both have flat or nearly flat backs and arched tops.
Vivi-Tone was a musical instrument company formed in partnership by former instrument designer for Gibson Guitar Corporation, Lloyd Loar, Lewis A. Williams, and Walter Moon. The company was incorporated in Kalamazoo, Michigan on November 1, 1933, with executive offices in Detroit . [ 1 ]
Mandolin awareness in the United States blossomed in the 1880s, as the instrument became part of a fad that continued into the mid-1920s. [14] [15] According to Clarence L. Partee a publisher in the BMG movement (banjo, mandolin and guitar), the first mandolin made in the United States was made in 1883 or 1884 by Joseph Bohmann, who was an established maker of violins in Chicago. [16]
Loar designed the flagship L-5 archtop guitar and the Gibson F-5 mandolin that was introduced in 1922, before leaving the company in 1924. [21] In 1936, Gibson introduced its first "Electric Spanish" model, the ES-150 , followed by other electric instruments like steel guitars , banjos and mandolins .
The F-5 is a mandolin made by Gibson beginning in 1922. Some of them are referred to as Fern because the headstock is inlaid with a fern pattern. The F-5 became the most popular and most imitated American mandolin, [1] and the best-known F-5 was owned by Bill Monroe, the father of bluegrass music, who in turn helped identify the F-5 as the ultimate bluegrass mandolin.