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A Swedish immigrant, [3] Olof Ohman, said that he found the stone late in 1898 while clearing land which he had recently acquired of trees and stumps before plowing. [4] The stone was said to be near the crest of a small knoll rising above the wetlands, lying face down and tangled in the root system of a stunted poplar tree estimated to be from less than 10 to about 40 years old. [5]
The Snoldelev stone, one of the oldest runestones in Denmark. The tradition of raising stones that had runic inscriptions first appeared in the 4th and 5th century, in Norway and Sweden, and these early runestones were usually placed next to graves, [2] [3] though their precise function as commemorative monuments has been questioned. [4]
The vast majority of runestones date to the Viking Age. There is only a handful Elder Futhark (pre-Viking-Age) runestones (about eight, counting the transitional specimens created just around the beginning of the Viking Age). Årstad Stone (390–590 AD) Einang stone (4th century) Tune Runestone (250–400 AD) Kylver Stone (5th century)
The Viking runestones are runestones that mention Scandinavians who participated in Viking expeditions. This article treats the runestone that refer to people who took part in voyages abroad, in western Europe, and stones that mention men who were Viking warriors and/or died while travelling in the West.
A reading of the Rök stone's text in Old East Norse. The front of the stone. The beginning of the inscription is vertically at the bottom left. The 5 long tons (5.1 t), 8 feet (2.4 m) tall stone [3] was discovered built into the wall of a church in the 19th century and removed from the church wall a few decades later. The church was built in ...
This stone is one of the Serkland Runestones and it is located at Strängnäs Cathedral. It is in style Pr2. One theory proposed by Braun connects this stone to the runestones U 513, U 540, and Sö 179, and it holds Ingvar the Far-Travelled to be the son of the Swedish king Emund the Old. [31]
The stone is currently on exhibition at the Moesgård Museum, the logo of which was inspired by the stone's mask. [1] The runic text indicates that the stone was raised by four men as a memorial to a man named Fúl. The relationship between the men is described as a félag, which was a joint financial venture between partners during the Viking ...
The style or design of runestones varied during the Viking Age. The early runestones were simple in design, but towards the end of the runestone era they became increasingly complex and made by travelling runemasters such as Öpir and Visäte. A categorization of the styles was developed by Anne-Sophie Gräslund in the 1990s. [1]