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Oenone holding pan pipes, behind Paris and Eros – a detail from a sarcophagus with the Judgement of Paris, Roman, Hadrianic period (Palazzo Altemps, Rome). In Greek mythology, Oenone (/ ɪ ˈ n oʊ n iː /; Ancient Greek: Οἰνώνη Oinōnē; "wine woman") was the first wife of Paris of Troy, whom he abandoned for Helen.
The Judgement of Paris is a story from Greek mythology, which was one of the events that led up to the Trojan War, and in later versions to the foundation of Rome. [ 1 ] Eris , the goddess of discord, was not invited to the wedding of Peleus and Thetis .
The following is a family tree of gods, goddesses, and other divine and semi-divine figures from Ancient Greek mythology and Ancient Greek religion. Chaos
This is an index of lists of mythological figures from ancient Greek religion and mythology. List of Greek deities; List of mortals in Greek mythology; List of Greek legendary creatures; List of minor Greek mythological figures; List of Trojan War characters; List of deified people in Greek mythology; List of Homeric characters
Paris (Ancient Greek: Πάρις, romanized: Páris), also known as Alexander (Ancient Greek: Ἀλέξανδρος, romanized: Aléxandros), is a mythological figure in the story of the Trojan War. He appears in numerous Greek legends and works of Ancient Greek literature such as the Iliad .
Anticlea (mythology) Antigone; Antigone (daughter of Laomedon) Antigone (wife of Peleus) Antinoe; Antiope (mother of Amphion) Antiope (mythology) Antissa (mythology) Apemosyne; Araethyrea; Arethusa (Greek myth) Argele; Argia (daughter of Adrastus) Argiope (mythology) Ariadne; Arisbe (mythology) Aristodeme; Aristomache (mythology) Arne (daughter ...
El Juicio de Paris (The Judgment of Paris in English) is an oil-on-canvas painting [1] of the Greek myth, the Judgement of Paris. It depicts the three goddesses naked and Paris deciding whom he should give the apple to. It was executed in 1904 by Enrique Simonet, a Spanish painter, and is one of the many works depicting the scene. The ...
The 1636 version has a depiction of Cupid at the far left and Alecto above the goddesses, [2] whilst the 1639 version adds a Cupid between Hera (far right) and Aphrodite (centre). Paris is a misplaced Trojan prince working as a shepherd, [3] and is accompanied by his sheepdog; his sheep are seen behind the figures in these late paintings.