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Figure drawing by Leonardo da Vinci. A figure drawing is a drawing of the human form in any of its various shapes and postures, using any of the drawing media. The term can also refer to the act of producing such a drawing. The degree of representation may range from highly detailed, anatomically correct renderings to loose and expressive sketches.
Faces are essential to expressing emotion, consciously or unconsciously. A frown denotes disapproval; a smile usually means someone is pleased. Being able to read emotion in another's face is "the fundamental basis for empathy and the ability to interpret a person's reactions and predict the probability of ensuing behaviors".
In modern figure drawing, the basic unit of measurement is the 'head', which is the distance from the top of the head to the chin. This unit of measurement is credited [2] to the Greek sculptor Polykleitos (fifth century BCE) and has long been used by artists to establish the proportions of the human figure.
Composite sketch of D. B. Cooper, who hijacked an airplane in 1971. A facial composite is a graphical representation of one or more eyewitnesses' memories of a face, as recorded by a composite artist. Facial composites are used mainly by police in their investigation of (usually serious) crimes.
The facial skeleton comprises the facial bones that may attach to build a portion of the skull. [1] The remainder of the skull is the neurocranium.. In human anatomy and development, the facial skeleton is sometimes called the membranous viscerocranium, which comprises the mandible and dermatocranial elements that are not part of the braincase.
A tadpole person [1] [2] [3] or headfooter [4] [5] is a simplistic representation of a human being as a figure without a torso, with arms and legs attached to the head. Tadpole people appear in young children's drawings before they learn to draw torsos and move on to more realistic depictions such as stick figures .
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Visage Painting and the Human Face in 20th Century Art was a major international overview of painting and the face held in 2000 at the National Museum of Western Art in Tokyo and at the National Museum of Modern Art, Kyoto, curated by National Museum of Modern Art, Tokyo. It included works by: