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A yuanlingshan (Chinese: 圓領衫; pinyin: yuánlǐngshān; lit. 'round collar jacket') is a type of round-collared upper garment in the traditional Chinese style of clothing known as Hanfu; it is also referred to as a yuanlingpao (圓領袍; yuánlǐngpáo; 'round collar gown/robe') or a panlingpao (盤領袍; pánlǐngpáo) when used as a robe (called paofu [1]: 17 ).
The coat sleeves are often deeper than the shenyi to create a more voluminous appearance. A piece of ancient Chinese clothing can be "made semi-formal" by the addition of the following appropriate items: Chang (裳): a pleated skirt; Bixi (蔽膝): a cloth attached from the waist, covering front of legs. Zhaoshan (罩衫): long open fronted coat
The women's sack-back gowns and the men's coats over long waistcoats are characteristic of this period. Fashion in the years 1750–1775 in European countries and the colonial Americas was characterised by greater abundance, elaboration and intricacy in clothing designs, loved by the Rococo artistic trends of the period. The French and English ...
Xiu (袖) - Sleeves; it is composed of the side of the body and the mei; sleeves can come in various shapes and each shape has a specific name to describe it based on its shape; Mei (袂) - a panel of fabric attached to the left side of the garment, between the Ge (袼) and the Qu (袪);
Sindhi wedding cholo from Hyderabad. In the past, Older Sindhi women wore paro , thick poplin cholo (blouse/Tunic), and chaadar (a sheet of veil). Some wore sleeveless hip length Shirt with a waist-length koti (blouse) with sleeves, on top, [8] [9] and a malai satin, Sussi or Bandhani paro or suthan (culottes or palazzo).
Gowns from the early 1860s. Italian woman wears a gray striped jacket with turned-back pagoda sleeves trimmed in contrasting fabric and a matching skirt. Her blouse sleeves or engageantes are full over her lower arms, 1861. 1862 portrait of Jenny Lind depicts her in a white gown with a wide lace collar. Her hair is parted in the center, rolled ...