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Missundaztood (stylized as M!ssundaztood) is the second studio album by American singer Pink.It was released on November 20, 2001, by Arista Records.After the success of Can't Take Me Home, her 2000 debut album, Pink became dissatisfied with her lack of creative control and being marketed as a white R&B singer.
The song begins and ends in the key of E major, with a darker middle section (following the lyric "and the candle dies") in the parallel minor, E minor. Both the E major and E minor chords feature the ninth, making this song one of many Pink Floyd songs to feature a prominent E minor added ninth chord, "Em(add9)".
The song was released as the second single from the album on February 18, 2002. It received positive reviews from music critics, who praised the tone of the song. Commercially, the song became Pink's fifth single to enter the top 10 of the US Billboard Hot 100, rising to number eight, and was her first number one on the Billboard Mainstream Top ...
The song ends with a piano solo, similar to the intro. It has a duration of four minutes and two seconds. [8] Musicnotes.com published this song in the key of G major with a moderate tempo of 95 beats per minute. Pink and Ruess' vocals span two octaves in the song, from G 3 to G 5. The verses of the song follow the chord progression G-C-Em-C-G ...
Tom Roland of Billboard wrote that the song is "a return to an increasingly familiar theme in his work: the importance of living in the moment, rather than worrying about the future or fretting about the past." [1] Bentley wrote the song during a songwriting session with Ashley Gorley, Ross Copperman, and Luke Dick. Dick presented the other ...
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The song, which was written by Pink, Johnny McDaid, and its producer Steve Mac, is an electronic dance music (EDM) track with upbeat dance production that blends repetitive chords, synthesizers, and drum machine beats. Pink, who was inspired by the politics of the time, composed it as a political protest song with poetic and inclusive lyrics ...
The end of the song features another organ sequence, and the song fades out to the chanting of "Pink! Floyd! Pink! Floyd!". Waters has said that the main chord sequence and melody was not initially part of The Wall, but was borrowed from The Pros and Cons of Hitch Hiking, which Waters wrote at the same time as The Wall, but recorded as a solo ...