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A setting (or backdrop) is the time and geographic location within a narrative, either non-fiction or fiction. It is a literary element. The setting initiates the main backdrop and mood for a story. The setting can be referred to as story world [1] or milieu to include a context (especially
Name Definition Example Setting as a form of symbolism or allegory: The setting is both the time and geographic location within a narrative or within a work of fiction; sometimes, storytellers use the setting as a way to represent deeper ideas, reflect characters' emotions, or encourage the audience to make certain connections that add complexity to how the story may be interpreted.
Worldbuilding is the process of constructing an imaginary world or setting, sometimes associated with a fictional universe. [1] Developing the world with coherent qualities such as a history, geography, culture and ecology is a key task for many science fiction or fantasy writers. [2]
Different settings can affect the mood of a story differently and usually support or conflict with the other content of the story in some way. For example, the desert may be a setting for a cowboy story and may generate a mood of solitude, desolation, and struggle, among other possible associations.
In the Lakota Tribe of North America, for example, young girls are often told the story of the White Buffalo Calf Woman, who is a spiritual figure that protects young girls from the whims of men. In the Odawa Tribe , young boys are often told the story of a young man who never took care of his body, and as a result, his feet fail to run when he ...
A story within a story can be used in all types of narration including poems, and songs. Stories within stories can be used simply to enhance entertainment for the reader or viewer, or can act as examples to teach lessons to other characters. [2] The inner story often has a symbolic and psychological significance for the characters in the outer ...
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The three-act structure is a model used in narrative fiction that divides a story into three parts , often called the Setup, the Confrontation, and the Resolution. It has been described in different ways by Aelius Donatus in the fourth century A.D. and by Syd Field in his 1979 book Screenplay: The Foundations of Screenwriting .