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Prior to the creation of the Hammerklavier sonata, the year between 1807 and 1812 were considered one of Beethoven's most productive period. During that time, he composed four symphonies (No. 5 through 8), three piano sonatas (opp. 78-81a), the Piano Concerto No. 5, "Emperor", the Mass in C major, and various chamber works.
The "Hammerklavier" was deemed to be Beethoven's most difficult sonata yet. In fact, it was considered unplayable until almost 15 years later, when Liszt played it in a concert. Opus 101: Piano Sonata No. 28 in A major (1816) Opus 106: Piano Sonata No. 29 in B-flat major ("Hammerklavier") (1818) Opus 109: Piano Sonata No. 30 in E major (1820)
The late piano sonatas of Ludwig van Beethoven usually refer to the last five piano sonatas the composer composed during his late period. Piano Sonata No. 28 in A major, Op. 101; Piano Sonata No. 29 in B-flat major, Op. 106 "Hammerklavier" Piano Sonata No. 30 in E major, Op. 109; Piano Sonata No. 31 in A-flat major, Op. 110
In it, after the huge Hammerklavier Sonata, Op. 106, Beethoven returns to a smaller scale and a more intimate character. It is dedicated to Maximiliane Brentano , the daughter of Beethoven's long-standing friend Antonie Brentano, for whom Beethoven had already composed the short Piano Trio in B ♭ major WoO 39 in 1812.
Ludwig van Beethoven's manuscript sketch for Piano Sonata No. 28, Movement IV, Geschwind, ... Op. 106 "Hammerklavier" Piano Sonata No. 30 in E Major, Op. 109;
In the “Concord” Sonata you can hear snippets of “Columbia, Gem of the Ocean,” “Massa’s in De Cold Ground,” Wagner’s “Lohengrin” and Beethoven’s Fifth Symphony and especially ...
Artur Schnabel, 1906. Austrian pianist Artur Schnabel was the first pianist to record all of Ludwig van Beethoven's 32 piano sonatas. [1] The recordings were made in Abbey Road Studios in London on a C. Bechstein grand piano [2] from 1932 to 1935, [3] [4] [5] seven years after electrical recording was invented. [4]
Alessio Bax played the Fugue of Beethoven's "Hammerklavier" Sonata for Daniel Barenboim in the documentary Barenboim on Beethoven in 2005, published on EMI. [10] A track from his release "Bach Transcribed" on Signum Classics was used to great acclaim in the 2017 film "Call Me by Your Name" [11] by director Luca Guadagnino