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Some claim that "[a]lthough ostensibly designed to 'protect the victim' and to keep criminals from profiting from their crimes, the real purpose of these laws was identical to the purpose of the repression of prison literature in the 1930s: to keep the American people in the dark about the American prison." [5]
Prison literature is the literary genre of works written by an author in unwilling confinement, such as a prison, jail or house arrest. [1] The writing can be about prison, informed by it, or simply incidentally written while in prison. It could be a memoir, nonfiction, or fiction.
In the last quarter of the twentieth century, the incarceration rate in the US increased by a factor of five, reaching an incarceration rate of 1 in 100 by 2008. [5] Until the carceral turn, scholars propose how what they describe as the American mass incarcerations and prison-industrial complex were almost invisible. [6]
Literature of the 20th century refers to world literature produced during the 20th century (1901 to 2000). The main periods in question are often grouped by scholars as Modernist literature, Postmodern literature, flowering from roughly 1900 to 1940 and 1960 to 1990 [1] respectively, roughly using World War II as a transition point.
Etheridge Knight (April 19, 1931 – March 10, 1991) was an African-American poet who made his name in 1968 with his debut volume, Poems from Prison.The book recalls in verse his eight-year-long sentence after his arrest for robbery in 1960.
The story is set in a prison in a rural area near Mobile, Alabama where convicts perform road work and farm turpentine from nearby pine forests. The two main characters are both convicts, Mr. Schaeffer, an older man serving a ninety-nine year sentence for murder, and Tico Feo, a newly arrived young man sentenced to serve two years for stabbing two men.
New Criticism developed as a reaction to the older philological and literary history schools of the US North, which focused on the history and meaning of individual words and their relation to foreign and ancient languages, comparative sources, and the biographical circumstances of the authors, taking this approach under the influence of nineteenth-century German scholarship.
The first and last newsreels in each of the three books within U.S.A. tend to mirror each other, for instance, The 42nd Parallel begins with declarations that the 20th century will be shaped by America and its territorial expansion, juxtaposed to British struggles in the Boer War and dead soldiers in the Philippines.