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The contralto singing voice has a vocal range that lies between the F below "middle C" (F 3) to two Fs above middle C (F 5) and is the lowest type of female voice. In the lower and upper extremes, some contralto voices can sing from two Bs below middle C (B 2) [1] to two B ♭ s above middle C (B ♭ 5). [2]
When the terms soprano, mezzo-soprano, contralto, tenor, baritone, and bass are used as descriptors of non-classical voices, they are applied more loosely than they would be to those of classical singers and generally refer only to the singer's perceived vocal range. The following is a list of singers in country, popular music, jazz, heavy ...
Vocal: ca. 1903: Wandrers Nachtlied: for voice and piano: words by Johann Wolfgang von Goethe: Vocal: 1904: Ah, for the Red Spring Rose: for voice and piano: Vocal: 1904: Aufblick: for voice and piano: words by Richard Dehmel: Vocal: 1904: Shiv and the Grasshopper: for voice and piano: words from The Jungle Book by Rudyard Kipling: Vocal: ca ...
In 1970, rock musician Ringo Starr surprised the public by releasing an album of Songbook songs from the 1920s, 1930s, and 1940s, Sentimental Journey.Reviews were mostly poor or even disdainful, [25] but the album reached number 22 on the US Billboard 200 [26] and number 7 in the UK Albums Chart, [27] with sales of 500,000.
When the terms soprano, mezzo-soprano, contralto, tenor, baritone, and bass are used as descriptors of non-classical voices, they are applied more loosely than they would be to those of classical singers and generally refer only to the singer's perceived vocal range. The following is a list of singers in country, popular music, jazz, classical ...
Three Shakespeare Choruses, female chorus 4 voices, piano (1897): Over hill, over dale, Come unto these yellow sands, Through the house give glimmering light, Op. 39/1; Song of Welcome (H.M. Blossom), 4 voices, orchestra, orchestral score (1898), Op. 42; Far Awa' (R. Burns), female chorus 3 voices, piano (1918) [arr. of song], Op. 43/4
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As it was also customary to play one's own compositions, she included at least one of her own works in every program, works such as her Variations on a Theme by Bellini (Op. 8) and her popular Scherzo (Op. 10). Her works include songs, piano pieces, a piano concerto, a piano trio, choral pieces, and three Romances for violin and piano.