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Side views of a bevel (above) and a chamfer (below). A bevelled edge (UK) or beveled edge (US) is an edge of a structure that is not perpendicular to the faces of the piece. . The words bevel and chamfer overlap in usage; in general usage, they are often interchanged, while in technical usage, they may be differentiated as shown in the image on the ri
A raised panel has a profile cut into its edge so that the panel surface is flush with or proud of the frame. Some popular profiles are the ogee , chamfer , and scoop or cove . Panels may be raised by a number of methods - the two most common in modern cabinetry are by coving on the tablesaw or the use of a panel raising cutter in a wood router ...
Beveled glass has also been used with clear and colored textured glass to create designs. Textured glass is typically 1 ⁄ 8 inch (3 mm) thick and has a distinct visible texture. Beveled glass is typical made from 1 ⁄ 4 inch (6 mm) float plate glass but thicknesses up to 1 ⁄ 2 inch (10 mm) have been used for larger windows. The width of ...
Such tilings can be considered edge-to-edge as nonregular polygons with adjacent colinear edges. There are seven families of isogonal figures, each family having a real-valued parameter determining the overlap between sides of adjacent tiles or the ratio between the edge lengths of different tiles. Two of the families are generated from shifted ...
A kaleidoscope whose mirrors are arranged in the shape of one of these tiles will produce the appearance of an edge tessellation. However, in the tessellations generated by kaleidoscopes, it does not work to have vertices of odd degree, because when the image within a single tile is asymmetric there would be no way to reflect that image ...
The meander is a fundamental design motif in regions far from a Hellenic orbit: labyrinthine meanders ("thunder" pattern [3]) appear in bands and as infill on Shang bronzes (c. 1600 BC – c. 1045 BC), and many traditional buildings in and around China still bear geometric designs almost identical to meanders.
The complexity and variety of patterns used evolved from simple stars and lozenges in the ninth century, through a variety of 6- to 13-point patterns by the 13th century, and finally to include also 14- and 16-point stars in the sixteenth century. Geometric patterns occur in a variety of forms in Islamic art and architecture.
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