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Tenebrae is a London-based professional vocal ensemble founded in 2001 and directed by former King's Singer Nigel Short.Its repertoire covers works from the 16th to the 21st centuries, able to combine in one long program pieces as diverse as Victoria's Officium Defunctorum, secular and sacred motets for solo voices, and Talbot's 2005 Path of Miracles.
Path of Miracles is an extended choral composition by Joby Talbot, written in 2005 following a commission from the vocal chamber group Tenebrae. [1] Under the direction of Nigel Short, Tenebrae's first performance was scheduled for 7 July 2005 in London, but was delayed because of the bombings that took place in the city that day.
Tenebrae Responsories for Maundy Thursday, The King's Singers, Signum SIGCD048 (2004) Tenebrae Responsoria (Maundy Thursday and Good Friday), Ensemble Arte Musica, direction Francesco Cera, Brilliant Classics 94804 (2014) Tenebrae Responses for Good Friday, Taverner Consort & Choir, direction Andrew Parrott, Sony Classical SK62977 (2000)
Mother and Child is a choral composition by John Tavener written in 2002 on a commission from the Tenebrae vocal ensemble. The lyrics were written by Brian Keeble. The music is set for a choir in up to nine vocal parts, organ and temple gong. The duration is about 10 minutes.
The ensemble were St John's Smith Square Young Artists for the 2015–2016 season, [2] and in partnership with St John's Smith Square and the Music Sales Group, curated a composition competition in 2016, which attracted over 170 entries from across the globe. [3] A second composition competition in 2018 attracted over 300 entries. [4]
Nigel Short is a British singer who is the founder and artistic director of the choir Tenebrae and Tenebrae Consort. [1] He was previously a member of The King's Singers. [2] Short was a chorister at St Alphege Church, Solihull. [3]
She is a founding member of Tenebrae, The Finzi Singers and the Britten Sinfonia Voices, and has performed with The Sixteen, The Monteverdi Choir, [25] The Dunedin Consort, Trinity Baroque, Les Arts Florissants, [26] La Grande Chapelle, The Scholars’ Baroque Ensemble, Pixels Ensemble [27] and the BBC Singers.
Franglen said that he was able to "feature a great diversity of singers and featured musicians from across the world, all bringing their unique textures to the score", such as bringing the Tenebrae choir ensemble from London and Pacific islands choral music. [12] The scale of the music mixing exceeded up to 1,000 tracks. [16]