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In addition to his own compositions he made transcriptions of Elizabethan and Jacobean vocal solo, choral, and instrumental works, and prepared an edition of Henry Purcell's string fantasias. [1] [2] For choral works the acronym "SATB" (Soprano-Alto-Tenor-Bass) has been used to indicate the voice composition of the work.
cross-indexing of choral music using criteria including musical genre, period, and number and voicing of choral parts; composer information; description and performance considerations can be included for works; contents of collections of choral music; community discussion such as through "Talk" pages related to composers or specific works.
A Book of Spells (2009) SSAA and piano; text by Z. E. Budapest. Free, Fearless, and Female (2009) SSAA and marimba; text by Judy Belski, Anonymous Pampa Poem trans. by W. S. Merwin, and Anna Swir. Celebration Mass-Lutheran Edition (2010) SATB choir, congregation, organ, and optional handbells, brass quintet/quartet and percussion/timpani; text ...
2. I know my soul hath power (SATB) / words by John Davies. 3. Never weather-beaten sail (SSATB) / words by Thomas Campion. 4. There is an old belief (SSATBB) / words by John Gibson Lockhart. 5. At the round earth's imagined corners (SSAATTBB) / words by John Donne. 6. Lord, let me know mine end (SATB/SATB) / words from Psalm 39] Two Carols, p ...
Blessed are the Dead − motet for double choir SATB.SATB unaccompanied (1920; unfinished - completed by Patrick Russill) A Golden Lullaby − Unison song for voices and piano (1920) Sing lullaby for SATB unaccompanied (1920) O Lord, Who Createst Man − 3-part song for female voices and piano (1923) When First Thine Eyes Unveil for SATB ...
Serment-Orkos, for SATB chorus of 32 or more voices (1981) Chant des Soleils, for SATB chorus, children's choir, brass ensemble and percussion (1983) Idmen A/Idmen B, for SATB chorus of 64 or more voices and percussion (1985) Knephas, for SATB chorus of 32 or more voices (1990) Pu wijnuej we fyp, for children's choir (1992)
Three Shakespeare Songs is a piece of classical choral music written for an a cappella SATB choir. It was written in 1951 by the British classical composer Ralph Vaughan Williams. The work comprises three short pieces which are settings of text from two plays by the English playwright William Shakespeare. It is published by Oxford University Press.
A part song, part-song or partsong is a form of choral music that consists of a song to a secular or non-liturgical sacred text, [1] written or arranged for several vocal parts. Part songs are commonly sung by an SATB choir, but sometimes for an all-male or all-female ensemble. [2]