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cross-indexing of choral music using criteria including musical genre, period, and number and voicing of choral parts; composer information; description and performance considerations can be included for works; contents of collections of choral music; community discussion such as through "Talk" pages related to composers or specific works.
Bach's chorale harmonisations are all for a four-part choir (SATB), but Riemenschneider's and Terry's collections contain one 5-part SSATB choral harmonisation (Welt, ade! ich bin dein müde, Riemenscheider No. 150, Terry No. 365), not actually by Bach, but used by Bach as the concluding chorale to cantata Wer weiß, wie nahe mir mein Ende, BWV 27.
A Book of Spells (2009) SSAA and piano; text by Z. E. Budapest. Free, Fearless, and Female (2009) SSAA and marimba; text by Judy Belski, Anonymous Pampa Poem trans. by W. S. Merwin, and Anna Swir. Celebration Mass-Lutheran Edition (2010) SATB choir, congregation, organ, and optional handbells, brass quintet/quartet and percussion/timpani; text ...
World (1968/74), for 6 voices, 2 flutes (both doubling piccolo and the second alto flute), 2 oboes (one doubling oboe d'amore, the other cor anglais), 2 clarinets (the second doubling E-flat clarinet), 2 piccolo trumpets, trombone, tuba, 3 percussionists, cimbalom, celesta, 2 pianos, harp, 2 violins, 2 violas, 2 cellos, 2 double basses [19'] [2]
Prussian Military Ballads, Op. 61 (for voice and piano, for 4 men's voices, or for men's choir and military band) [1837, pub. 1838] 1. Fridericus Rex; 2. General Schwerin; Zumalacarregui: Spanish Romance (for men's choir and military band, written for the choir of the Crown Prince's Grenadier Regiments) [1837]
Blessed are the Dead − motet for double choir SATB.SATB unaccompanied (1920; unfinished - completed by Patrick Russill) A Golden Lullaby − Unison song for voices and piano (1920) Sing lullaby for SATB unaccompanied (1920) O Lord, Who Createst Man − 3-part song for female voices and piano (1923) When First Thine Eyes Unveil for SATB ...