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We've Come for You All is the ninth studio album by American heavy metal band Anthrax. It was released on May 6, 2003 through Nuclear Blast in Europe and Sanctuary Records in North America. This was the first Anthrax record to feature Rob Caggiano on lead guitar and their last studio album with John Bush on vocals.
In the episode, Peter, Quagmire and Joe take a road trip to Canada, but their private plane crashes and Peter goes missing for two months. When his family finds him, he can no longer communicate intelligently. Though primarily a Family Guy episode, it includes a crossover cold opening with characters from American Dad! and King of the Hill. [2]
Family Guy is an American adult animated television sitcom created by Seth MacFarlane for the Fox Broadcasting Company. The series centers on the dysfunctional Griffin family , which consists of father Peter (MacFarlane), mother Lois ( Alex Borstein ), daughter Meg ( Lacey Chabert in Episodes 1–9, then Mila Kunis from Episode 10 onwards), son ...
Family Guy creator and executive producer Seth MacFarlane came up with the idea to create the episodes, being a fan of the original film series. [14] The first "Road to" episode, titled "Road to Rhode Island", aired in 2000 as a part of the second season of Family Guy, and featured Brian and Stewie attempting to find Brian's mother. [11]
The sets include brief audio commentaries by various crew and cast members for several episodes, a collection of deleted scenes and animatics, a special mini-feature which discussed the process behind animating "And Then There Were Fewer", a mini-feature entitled "The Comical Adventures of Family Guy – Brian & Stewie: The Lost Phone Call ...
[8] It is one of the only three Family Guy episodes that has ever been given a "Masterpiece" (10/10) rating by IGN, the other being "I Never Met the Dead Man" and "Da Boom". [9] IGN also placed the episode at the top of their list of "Stewie and Brian's Greatest Adventures", [ 10 ] and again in the list of "Top 20 Family Guy episodes" to ...
The song concludes with Swift going home with a feeling of resignation. She’s not “the one,” but the other person will “find someone.” People drift apart; that doesn’t mean the other ...
[17] In a simultaneous review of the episodes of The Simpsons and The Cleveland Show that preceded the show, and the broadcast of American Dad! that followed it, The A.V. Club reviewer Rowan Kaiser noted, "most of the episode was spent justifying its existence as a Rush Limbaugh episode of Family Guy," and that the episode "failed to do that."