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Tombs in haner families, for example the Zhang and Hann families, often depicts men dressed in Khitan clothing in corridors and antechambers while inner culture shows haner culture. [ note 5 ] [ 147 ] Some Han Chinese or Haner men adopted and/or combined Hanfu with Khitan clothing and boots, wore Hanfu or wore Khitan clothes.
An indigo formal ritual clothing, worn by Taoism priests in the Quanzhen order; the blue colour is a symbolism for the East. [27] It is cross-collared. [32] Unknown – Present Da gua 大褂 "Great gown" [27] It is a common type of informal, daily clothing worn by Taoists; in present days, it is mostly narrow-sleeved and blue in colour. [32]
Daopao (Chinese: 道袍; pinyin: dàopáo; lit. 'Taoist robe'), also known as xuezi (Chinese: 褶子) when used as a Xifu during Chinese opera performances, [1] [2]: 181 and deluo (Chinese: 得罗) when it is blue in colour, [3] is a traditional form of paofu in Hanfu and is also one of the most distinctive form of traditional clothing for the Han Chinese. [4]
Paofu (Chinese: 袍服; pinyin: páofú; lit. 'robe'), also known as pao (Chinese: 袍; pinyin: páo; lit. 'robe') [1] [2]: 90 for short, is a form of a long, one-piece robe in Hanfu, which is characterized by the natural integration of the upper and lower part of the robe which is cut from a single fabric. [3]
' Research on Ancient Chinese costumes ' 》, the zhiduo evolved from the zhongdan (Chinese: 中(单)襌; lit. 'inner garment') worn by the ancient monks. [16] Initially the zhiduo was mostly worn by monks, but in the Song dynasty and in the subsequent dynasties, it became a form of daily clothing for Han Chinese men. [16]
The outer layer worn by men was called the qulittaq, and the inner layer was called the atigi. [15] These garments had no front opening, and were donned by pulling them over the head. [1] Men's parkas usually had straight-cut bottom hems with slits and loose shoulders to enhance mobility when hunting.
As in the previous centuries, two styles of dress existed side-by-side for men: a short (knee-length) costume deriving from a melding of the everyday dress of the later Roman Empire and the short tunics worn by the invading barbarians, and a long (ankle-length) costume descended from the clothing of the Roman upper classes and influenced by Byzantine dress.
Slashing is a decorative technique that involved making small cuts on the outer fabric of a garment in order to reveal the sometimes brightly colored inner garment or lining. It was performed on all varieties of clothing, both men's and women's. [ 16 ]